126. STONE LABYRINTH AT WISBY, GOTHLAND. (Aspelin) 149

127. SCANDINAVIAN STONE LABYRINTH. (Rudbeck) 150

Mazes and Labyrinths — Part 8

128. OLD DANISH STONE CROSS, WITH LABYRINTH. (O. Worm) 151

Mazes and Labyrinths — Part 8

129. ROCK ENGRAVINGS, ROUTING LINN, NORTHUMBERLAND. (G. Tate) _f.p._ 152

Mazes and Labyrinths — Part 8

130. ROCK ENGRAVINGS, OLD BEWICK, NORTHUMBERLAND. (G. Tate) _f.p._ 152

131. INDIAN LABYRINTH, FROM XVIIITH CENTURY SPANISH MANUSCRIPT. (After Cotton) 154

132. LABYRINTHINE PICTOGRAPH, MESA VERDE. (After Fewkes) 155

133. ETRUSCAN WINE-VASE FROM TRAGLIATELLA. (After Deecke) 157

134, 135. ETRUSCAN WINE-VASE FROM TRAGLIATELLA. "Troy Dance" Details. (After Deecke) 157-158

136. STRAIGHT-LINE DIAGRAM. Hampton Court Maze 187

137. STRAIGHT-LINE DIAGRAM. Hatfield Maze 187

138, 139. DERIVATION OF LABYRINTH TYPES FROM ROCK-ENGRAVING FIGURES. (After Krause) 188

140. ALLEGORICAL LABYRINTH. (Old German Print) _f.p._ 194

141, 142. SEA-SIDE SAND MAZES. (W. H. M.) _f.p._ 202

143. TEMPORARY MAZE AT VILLAGE FÊTE. (W. H. M.) 203

144. MAZE TOY BY A. BRENTANO. (After Patent Specification) 204

145. MAZE TOY BY S. D. NIX. (After Patent Specification) 205

146. MAZE TOY BY J. M. ARNOT. (After Patent Specification) 206

147. MAZE TOY BY J. PROCTOR. (After Patent Specification) 206

148. MAZE TOY BY H. BRIDGE. (After Patent Specification) 207

149, 150, 151. PATH OF RAT IN LABYRINTH. Three Stages. (After Szymanski) 208

Page 78, line 21, _for_ Ackerman's _read_ Ackermann's.

A delightful air of romance and mystery surrounds the whole subject of Labyrinths and Mazes.

The hedge-maze, which is the only type with which most of us have a first-hand acquaintance, is generally felt to be a survival of a romantic age, even though we esteem its function as nothing higher than that of a playground for children. Many a tender intrigue has been woven around its dark yew alleys. Mr. Compton Mackenzie, for example, introduces it most effectively as a lovers' rendezvous in "The Passionate Elopement," and no doubt the readers of romantic literature will recall other instances of a like nature. The story of fair Rosamond's Bower is one which will leap to the mind in this connection.

This type of maze alone is worth more than a passing thought, but it is far from being the only, or even the most interesting, development of the labyrinth idea.