"I'm not worried," she said, and swung to her saddle.

The ugly beast made off in a tearing sidewise rush, but she smilingly called back: "All set." And Norcross followed her in high admiration.

The Forester's Daughter — Part 18

Eventually she brought her bronco to subjection, and they trotted off together along the wagon-road quite comfortably. By this time the youth had forgotten his depression, his homesickness of the morning. The valley was again enchanted ground. Its vistas led to lofty heights. The air was regenerative, and though a part of this elation was due, no doubt, to the power of his singularly attractive guide, he laid it discreetly to the climate.

The Forester's Daughter — Part 18

After shacking along between some rather sorry fields of grain for a mile or two, Berea swung into a side-trail. "I want you to meet my mother," she said.

The Forester's Daughter — Part 18

The grassy road led to a long, one-story, half-log, half-slab house, which stood on the bank of a small, swift, willow-bordered stream.

"This is our ranch," she explained. "All the meadow in sight belongs to us."

The young Easterner looked about in astonishment. Not a tree bigger than his thumb gave shade. The gate of the cattle corral stood but a few feet from the kitchen door, and rusty beef-bones, bleaching skulls, and scraps of sun-dried hides littered the ground or hung upon the fence. Exteriorly the low cabin made a drab, depressing picture; but as he alighted--upon Berea's invitation--and entered the house, he was met by a sweet-faced, brown-haired little woman in a neat gown, whose bearing was not in the least awkward or embarrassed.

"This is Mr. Norcross, the tourist I told you about," explained Berrie.

Mrs. McFarlane extended her small hand with friendly impulse. "I'm very glad to meet you, sir. Are you going to spend some time at the Mill?"

"I don't know. I have a letter to Mr. Meeker from a friend of mine who hunted with him last year--a Mr. Sutler."

"Mr. Sutler! Oh, we know him very well. Won't you sit down?"

The interior of the house was not only well kept, but presented many evidences of refinement. A mechanical piano stood against the log wall, and books and magazines, dog-eared with use, littered the table; and Norcross, feeling the force of Nash's half-expressed criticism of his "superior," listened intently to Mrs. McFarlane's apologies for the condition of the farmyard.