I was there again at twelve, the morning after, and found De Potter (the Belgian patriot) and Dr. Bowring, with the phrenologist, waiting to undergo the same operation. The preparations looked very formidable, A frame, of the length of the human body, lay in the middle of the room, with a wooden bowl to receive the head, a mattress, and a long white dress to prevent stain to the clothes. As I was the youngest, I took my turn first. It was very like a preparation for being beheaded. My neck was bared, my hair cut, and the long white dress put on. The back of the head is taken first; and, as I was only immersed up to the ears in the liquid plaster, this was not very alarming. The second part, however, demanded more patience. My head was put once more into the stiffened mould of the first half, and as soon as I could get my features composed I was ordered to shut my eyes; my hair was oiled and laid smooth, and the liquid plaster poured slowly over my mouth, eyes, and forehead, till I was cased completely in a stiffening mask. The material was then poured on thickly, till the mask was two or three inches thick, and the voices of those standing over me were scarcely audible. I breathed pretty freely through the orifices at my nose; but the dangerous experiment of Mademoiselle Sontag, who was nearly smothered in the same operation, came across my mind rather vividly; and it seemed to me that the doctor handled the plaster quite too ungingerly, when he came to mould about my nostrils. After a half hour's imprisonment, the plaster became sufficiently hardened, and the thread which was laid upon my face was drawn through, dividing the mask into two parts. It was then gradually removed, pulling very tenaciously upon my eyelashes and eyebrows, and leaving all the cavities of my face filled with particles of lime. The process is a tribute to vanity, which one would not be willing to pay very often.
I looked on at Dr. Bowring's incarceration with no great feeling of relief. It is rather worse to see than to experience, I think. The poet is a nervous man; and as long as the muscles of his face were visible, his lips, eyelids, and mouth, were quivering so violently that I scarcely believed it would be possible to get an impression of them. He has a beautiful face for a scholar--clear, well-cut, finished features, expressive of great purity of thought; and a forehead of noble amplitude, white and polished as marble. His hair is black and curling (indicating in most cases, as Dr. Spurzheim remarked, activity of mind), and forms a classical relief to his handsome temples. Altogether, his head would look well in a picture, though his ordinary and ungraceful dress, and quick, bustling manner, rather destroy the effect of it in society.