We rolled out of Paris by the _faubourg St. Antoine_, and at the end of the first post passed the first object that interested me--a small brick pavilion, built by Henri Quatre for the beautiful Gabrielle d'Estrees. It stands on a dull, level plain, not far from the banks of the river; and nothing but the fact that it was once occupied by the woman who most enslaved the heart of the most chivalrous and fickle of the French monarchs, would call your attention to it for a moment.
For the twenty or thirty miles which we travelled by daylight, I saw nothing particularly curious or beautiful. The guide-book is very diffuse upon the chateaux and villages on the road, but I saw nothing except very ordinary country-houses, and the same succession of small and dirty villages, steeped to the very chimneys in poverty. If ever I return to America, I shall make a journey to the west, for the pure refreshment of seeing industry and thrift. I am sick to the heart of pauperism and misery. Everything that is near the large towns in France is either splendid or disgusting. There is no medium in condition--nothing that looks like content--none of that class we define in our country as the "respectable."
The moon was a little in the wane, but bright, and the night lovely. As we got further into the interior, the towns began to look more picturesque and antique; and, with the softening touch of the moonlight, and the absence of beggars, the old low-browed buildings and half-ruined churches assumed the beauty they wear in description. I slept on the road, but the echo of the wheels in entering a post-town woke me always; and I rarely have felt the picturesque more keenly than, at these sudden wakings from dreams, perhaps, of familiar things, finding myself opposite some shadowy relic of another age; as if it were by magical transportation, from the fireside to some place of which I had heard or read the history.
I awoke as we drove into _Sens_ at broad daylight. We were just passing a glorious old pile of a cathedral, which I ran back to see while the diligence stopped to change horses. It is of pointed architecture, black with age, and crusted with moss. It was to this town that Thomas a Becket retired in disgrace at his difference with Henry the Second. There is a chapel in the cathedral, dedicated to his memory. The French certainly should have the credit of leaving things alone. This old pile stands as if the town in which it is built had been desolate for centuries: not a letter of the old sculptures chiselled out, not a bird unnested, not a filament of the gathering moss pulled away. All looks as if no human hand had been near it--almost as if no human eye had looked upon it. In America they would paint such an old church white or red, shove down the pillars, and put up pews, sell the pictures for fireboards, and cover the tesselated pavement with sand, or a home-made carpet.