Reis constructed an apparatus consisting of a tympanum in combination with a current-contact-regulator, or “interruptor,” which worked on this principle of variable contact, and he called it “The Telephone” (see pp. 57, 85). The very same apparatus we now-a-days call a “Telephone-transmitter,” or simply a “transmitter.” It is curious to note that Reis seems to have regarded his receiver or “reproducing-apparatus” as no new thing. He says explicitly (p. 56) that his receiver might be replaced by “any apparatus that produces the well-known galvanic tones.” “_The_ Telephone” was with Reis emphatically the _transmitter_. Bell in 1876 invented an instrument which would act either as transmitter or receiver, and which, though never now used as transmitter, is still called “a Telephone.” Edison’s “sound-telegraph,” or “telegraphic apparatus operated by sound,” was patented in 1877. In his specification _he never called his transmitter a “telephone_;” that name he reserved exclusively for his receiver. He found it, however, convenient a year later to rechristen his transmitter as the “_carbon telephone_,” though throughout the whole of his specification _neither “carbon” nor “telephone” are mentioned_ in connection with the transmitter! Within that year Hughes had brought out another instrument--“The Microphone”--which, like Reis’s instrument, embodied the principle of variable contact. Hughes’s instrument, usually constructed with contacts made of loose bits of coke-carbon, was simply a Reis’s Telephone minus the circular tympanum; and the really important new fact it revealed, was that very minute vibrations, such as those produced by the movements of an insect, when transmitted immediately through the wooden supports, sufficed to vary the resistance of a telephonic circuit, though far too slight in themselves to affect it if they had to be first communicated to the air and then collected by a tympanum. Put a specific tympanum to a Hughes’s microphone, and you get a Reis’s telephone. Take away the tympanum from a Reis’s telephone, and you get a Hughes’s microphone. Hughes is not limited to one material, nor is Reis. But the fundamental principle of the electrical part of each is identical. The Blake transmitter (Fig. 44), and the Berliner transmitter, and also Lüdtge’s microphone,[48] which was even earlier than that of Hughes, are all embodiments of the same fundamental principle of variable contact which Reis embodied in his “Telephone.”