In the first place, then, since we are mainly meditating upon the growth of human personality, I beg you to observe the complete lack of all provision for such growth, either among the gods or the men of this presentation. Consider Hephæstus, for example, or Vulcan. Vulcan may hammer away, immortal as he is, for a million æons upon the thunderbolts of Jove; he may fashion and forge until he has exhausted the whole science and art of offensive and defensive armament; but how much better off is Vulcan for that? he can never step upon a higher plane,--he is to all eternity simply Vulcan, armorer to Jove. And so Hermes or Mercury may carry messages eternally, but no more; his faculty and apparatus go to that end and no farther. But these limitations are intolerable to the modern personality. The very conception of personality seems to me to imply a conception of growth. If I do one thing to-day, another to-morrow, I am twice as much to-morrow as I was to-day, by virtue of the new thing; or, even if I do only the same thing to-morrow that I did to-day, I do it easier,--that is, with a less expenditure of force, which leaves me a little surplus; and by as much as this surplus (which I can apply to something else), I am more than I was yesterday. This "more" represents the growth which I said was implied in the very conception of personality, of the continuous individual.

Now the feeling of all this appears to be just as completely asleep in Æschylus himself and in all his precedent old Greek theogonists as it is in the most witless boor who gazes open-mouthed at the gigantic Prometheus. But if we here descend from the gods, to the men, of this picture, we find Prometheus almost in terms asserting this absence of personality among the men whom he taught which we have just found by implication among the gods who tortured him.

The English Novel — Part 55

You will remember the lines I read from the first long speech of Prometheus, in which he describes the utterly brutish, crawling cave-dwellers to whom he communicated the first idea of every useful art. The denial of all power in man himself, once he was created, of originating these inventions--that is, of growing--that is, of personality--is complete.

The English Novel — Part 55