The young painter's next step was to seek inspiration in Italy, and in 1600 he went to Venice to study Titian and Veronese. Here he copied old masters, painted portraits, and attracted the attention of the Duke of Mantua, who became his patron. In 1603 he was sent to Spain by the Duke, and took with him many paintings as a present for Philip III. When he went home to Flanders in 1608, Albert and Isabella made him court painter in order that they might keep him in Antwerp.
Rubens was twice married. His first wife, Isabella Brant, made his home happy for seventeen years, and is commemorated in several paintings. Helena Fourment, whom he married four years after Isabella's death, was a girl of sixteen who was considered remarkably beautiful, and if we may judge by the use he made of her as a model, this opinion of her was fully shared by her husband. Besides the numerous portraits of her--in every possible position, sitting, standing or walking, handsomely dressed or nearly nude, alone or with her husband or children, in her own person or as Bathsheba, Dido or Andromeda--she appears in such large compositions as the Garden of Love and the Judgment of Paris.
The paintings of Rubens have always been the special pride of Antwerp. The Elevation of the Cross and the Descent from the Cross were the treasures of the cathedral. The first was painted in 1610, soon after his return from Italy, and the second but little later. There are six known variants of the Descent from the Cross. The one in the cathedral is a wonderful composition, brilliant in its conception and marvelously drawn. The Elevation is by some critics considered finer than its companion picture. The Christ à la Paille, the "Coup de Lance," the Adoration of the Kings, and the Last Communion of St. Francis are all in the Antwerp Museum.
Fromentin, writing of Rubens in 1876, thus spoke of Malines and works of the great artist that were treasured there: "There are only two things that have outlived its past splendour, some extremely costly sanctuaries and the pictures by Rubens. These pictures are the celebrated triptych of the Magi, in St. John's, and the no less celebrated triptych of the Miraculous Draught of Fishes, which belongs to the Church of Notre Dame."