And the handsome bishopess rose, shook her black hair to the night breeze, puckered her black eyebrows and cried defiantly:
"Woe to violent and debauched husbands! They hurl women into perdition! Loved, respected, treated, if not as wife, at least truly as his sister by the bishop, I would have remained chaste and gentle. But disdained and humiliated before the lowest of the domestic slaves, I have grown to be wrathful and vindictive. From the height of this terrace, and often my cheeks mantling with shame, I follow with distracted gaze the young slaves of the field when they go out to work in the morning and return in the evening. I have struck my husband's concubines with my hands--and yet, poor wretches that they are, they do not yield to the lover who begs, but to the master who orders. I struck them in anger, not in jealousy. Before that man became odious to me, I was indifferent to him. Nevertheless, I might have loved him, had he wished it--and as he willed. 'Sister-wife' of a bishop--it looked attractive! How much good could not be done! How many tears could not be dried! But I have had only my own to dry, soon finding myself degraded and despised. The measure overflows; I have wept enough; I have moaned enough; I have sufficiently resisted the temptations that devour me! I shall flee from this house, even at the risk of being captured and sold as a slave! Can it be called to live, this dragging of my days in this opulent villa, a gilded grave? No! No! I wish to leave this sepulchre! I wish to breathe the free air! I wish to see the sun! I wish to move free in space! I crave a single day of love and freedom! Oh! If I could only see again the young lad, who more than once went by this terrace early in the morning! What warm and loving glances he shot at me! What a beautiful and fearless face looked from under his red headcover! What a robust and graceful build did not his Gallic blouse reveal with the belt of his hunting knife! He must be some forester slave of the neighborhood! A slave! What does it matter! He is young, handsome, nimble and amorous! My husband's concubines also are slaves! Oh! Shall I never enjoy a day of love, of freedom?"
In the meantime, what is the bishop doing while his bishopess, lost in revery on the balcony over the terrace, contemplates the stars, sighs into the darkness, and breathes her sorrows and her devilish hopes upon the midnight breezes? The holy man is drinking and conferring with Count Neroweg, who happens on this night to be his guest. The banquet hall in which they are seated is built after the Roman fashion. It is a spacious room, ornamented with marble pillars, and decked with gilded work and fresco paintings. Gold and silver vases are ranged on ivory sideboards. The floor is slabbed with rich mosaics that are pleasing to the eye. But still more pleasing to the eye is the large table loaded with drinking cups and half-emptied amphoras. The leudes, Neroweg's companions in arms and his equals in time of peace, have gone to play at dice with the bishop's clerks and familiars in the vestibule, after having partaken of supper at the same table with the count, as is the custom. Here and there along the walls the rough weapons of the leudes are stacked up--wooden bucklers, iron-rimmed staves, 'francisques' or double-edged axes, 'haugons' or demi-pikes furnished with iron grappling hooks. The count's buckler is illumined with a painting that represents three eagle's talons. Left alone at table with his guest, the prelate induces Neroweg to drain cup after cup. At the lower end of the table sits a hermit laborer. He drinks not, neither does he speak. At times he seems to listen to the conversation of the two topers. Oftener, however, he is steeped in thought.