*As examples of idioms Mr. Bates gives the following: A ten-foot (instead of ten-feet) pole; the use of the “flat adverb” or adjective form in such expressions as “speak loud.” “walk fast,” “the sun shines hot,” “drink deep;” and the use of prepositions adverbially at the end of a sentence, as in “Where are you going to?” “The subject which I spoke to you about,” etc.

We therefore see that idiom is not only a thing to justify, but something to strive for with all our might. The use of it gives character to our selection of words, and better than anything else illustrates what we should be looking for in forming our habit of observing the meanings and uses of words as we read.

The Art Of Writing & Speaking The English Language — Part 72

Another thing we ought to note in our study of words is the _suggestion_ which many words carry with them in addition to their obvious meaning. For instance, consider what a world of ideas the mere name of Lincoln or Washington or Franklin or Napoleon or Christ calls up. On their face they are but names of men, or possibly sometimes of places; but we cannot utter the name of Lincoln without thinking of the whole terrible struggle of our Civil War; the name of Washington, without thinking of nobility, patriotism, and self-sacrifice in a pure and great man; Napoleon, without thinking of ambition and blood; of Christ, without lifting our eyes to the sky in an attitude of worship and thanksgiving to God. So common words carry with them a world of suggested thought. The word _drunk_ calls up a picture horrid and disgusting; _violet_ suggests blueness, sweetness, and innocence; _oak_ suggests sturdy courage and strength; _love_ suggests all that is dear in the histories of our own lives. Just what will be suggested depends largely on the person who hears the word, and in thinking of suggestion we must reflect also on the minds of the persons to whom we speak.

The Art Of Writing & Speaking The English Language — Part 72

The best practical exercise for the enlargement of one's vocabulary is translating, or writing verses. Franklin commends verse-writing, but it is hardly mechanical enough to be of value in all cases. At the same time, many people are not in a position to translate from a foreign language; and even if they were, the danger of acquiring foreign idioms and strange uses of words is so great as to offset the positive gain. But we can easily exercise ourselves in translating one kind of English into another, as poetry into prose, or an antique style into modern. To do this the constant use of the English dictionary will be necessary, and incidentally we shall learn a great deal about words.

The Art Of Writing & Speaking The English Language — Part 72