When Huckleberry Finn went to the circus he sneaked in under the tent when the watchman was absent. He had money in his pocket, but he feared that he might need this. "I ain't opposed to spending money on circuses," he confessed, "when there ain't no other way, but there ain't no use in _wasting_ it on them." In spite of the fact that he had not paid for his seat, and that he was thereby released from the necessity of getting his money's worth, he declared cheerfully that "it was a real bully circus. It was the splendidest sight that ever was, when they all come riding in, two and two, a gentleman and a lady, side by side, the men just in their drawers and undershirts, and no shoes nor stirrups, and resting their hands on their thighs, easy and comfortable ... and every lady with a lovely complexion, and perfectly beautiful, and looking like a gang of real sure-enough queens.... And then, one by one, they got up and stood, and went a-weaving around the ring so gentle and wavy and graceful, the men looking ever so tall and airy and straight, with their heads bobbing and skimming along, away up there under the tent roof, and every lady's rose-leaf dress flapping soft and silky around her hips, and she looking like the most loveliest parasol."

However much Huck was impressed by the Grand Entry, he seems to have been more pleased by the surprising act, traditionally known as 'Pete Jenkins,' and never better described than by Mark Twain's youthful hero. "And by and by a drunk man tried to get into the ring--said he wanted to ride; said he could ride as well as anybody that ever was. They argued and tried to keep him out, but he wouldn't listen, and the whole show came to a standstill. Then the people began to holler at him and make fun of him.... So then the ring-master he made a little speech, and said he hoped there wouldn't be no disturbance, and if the man would promise he wouldn't make no more trouble, he would let him ride, if he thought he could stay on the horse.... The minute he was on the horse he began to rip and tear and jump and cavort around ... the drunk man hanging onto his neck, and his heels flying in the air every jump.... But pretty soon he struggled up astraddle and grabbed the bridle, a-reeling this way and that; and the next minute he sprung up and stood! and the horse a-going like a house afire, too. He just stood there, a-sailing around as easy and as comfortable as if he warn't ever drunk in his life--and then he begun to pull off his clothes and sling them. He shed them so thick they kind of clogged up the air, and altogether he shed seventeen suits. And then, here he was, slim and handsome, and dressed the grandiest and prettiest you ever saw, and he lit into that horse and made him hum--and finally skipped off and made his bow and danced off to the dressing-room, and everybody just a-howling with pleasure and astonishment. Then the ring-master, he see how he had been fooled, and he was the sickest ring-master you ever see, I reckon. Why, it was one of his own men! He had got up that joke all out of his own head, and never let on to nobody!"

A Book About the Theater — Part 95