In the dark little outer lobby, Alison and Herries had met for a brief moment.

'Archie!' whispered Alison, with an outstretched hand. But he turned upon her a look of offence so cold, that she was silenced, and her arm fell to her side.

The Rhymer — Part 117

'I did not know,' he said icily, 'of Miss Graham's intimate acquaintance with the poet Burns!' And he brushed past her into the parlour. Alison, feeling as though she had been struck, followed him. It had been easy to bear his anger in advance; but oh! she had not known how hard it would be--how hard to meet that changed look in his face, that coldness in his voice. The wave of courage that had risen so high within her, receded; but she forced it back. Better he should be angry than deceived. She did not realise as yet the intricate, net-like nature of deception, so loth to set one free.

The Rhymer — Part 117

The evening passed. To all outward appearances it was a musical evening of undeniable edification to all concerned, when a great poet might have been seen unbending himself, and honouring, with much gallant attention, the accomplished young lady who helped him with her harp and song. Nancy sat in her accustomed place, wreathed in smiles, and dispensing sugared words and glances. Herries, indeed, was totally silent, but it might have been the silence of appreciation. Alison and her harp, the poet seated near her, made a central and striking group in the little room. How fair--how singularly fair--she looked that night! So, at least, it seemed to her lover, watching her from under lowered lids, with anger--the anger of love and longing--at his heart. The poet, too, looked well: strong, manly, massive. Herries, as he watched him bend over Alison that fine frame and splendid head, hated him at that moment, not, I fear, for his vices, but for his thews and sinews, his sun-browned comeliness and daring eye. Like many men, slenderly moulded, and of delicate constitution, Herries had a passionate and jealous admiration of manly beauty hardened and developed by all out-door and vigorous pursuits. Necessity had doomed him to a sedentary life, but it was against every taste and inclination, every instinct of his being. He felt now, angrily, that this creature--this ploughman--belittled him. Certainly the contrast between them was sufficiently striking; it was the contrast between porcelain and bronze. Yet never had the peculiar grace of Herries, the marked refinement, the purity of his chiselled face, shone more by contrast. So, at least, it seemed to one who saw him, whenever she dared steal a glance upon her angry Jove.

The Rhymer — Part 117