When he reached his own room, he proceeded to the business of divesting himself completely of all resemblance to Richard Duvall. It was clear that the persons he was seeking knew him by sight, and hence his opportunities to accomplish anything against them were very greatly lessened. The threatening telephone message received by Grace did not worry him at all, but the fact that those people were so constantly upon his heels did. He determined to disappear completely as Duvall, and reappear in the person of John Bradley, using all his skill in the matter of disguise to create for himself a totally different personality.

Taking a makeup box from his grip, he proceeded first to give his dark brown hair a very decided and natural looking touch of gray, over the temples and at the sides. Then he fitted into place a short pointed grayish beard, and a mustache with waxed ends. These were products of the skill of one of the best wig-makers in Paris, and so cleverly made that they would defy detection, even in broad daylight. A pair of gold-rimmed eyeglasses completed the facial disguise. Duvall might now have passed anywhere for a well-groomed professional man of fifty-five or sixty.

The Film of Fear — Part 59

The impression was heightened by his frock coat and silk hat. He felt quite sure that, in his present disguise, the plotters against Ruth Morton's welfare could not possibly recognize him.

The Film of Fear — Part 59

He went down to the theater very early, after a hasty dinner, and found Mr. Baker in the box office. The moving picture man did not recognize him, of course, and Duvall, after drawing him aside, had some little difficulty in convincing him of his identity. Once it had been established, however, Mr. Baker conducted him to a dressing room behind the scenes, and motioned him to a chair.

The Film of Fear — Part 59

"We can talk here without being seen or heard," he said. "Is there anything new?"

"Nothing. I have taken Mrs. Morton and her daughter to a hotel, where I feel sure they will be quite safe from further annoyance. Ruth will not come to the studio for a few days, until we have gotten to the bottom of this affair. I am staying in an adjoining room, so as to be on hand at once in case of any trouble. I suppose you have everything fixed for to-night?"