For the first time in all these years his loyalty to his unknown mistress completely vanished. The ideal of Melody had faded from his mind.

If the young dramatist had been disappointed by Miss Delacourt’s apparent lack of interest in his play and in the part of Gertrude on the occasion of that first luncheon, he was quickly reassured by the energetic way in which, beginning with the next day, she threw herself into her work. As soon as she had time “to roll up her sleeves,” as she expressed it, she plunged into the rehearsals, an incarnation of work and enthusiasm.

His Great Adventure — Part 168

To be sure, she put the author through some uncomfortable hours while she criticized his piece and suggested many important changes with her usual frankness and point. She “combed it out,” as she said, line by line, and convinced him, against his will, that he should cut freely and sharpen his dialogue all through. Moreover, she set him right on several subtle points in the heroine’s psychology.

His Great Adventure — Part 168

“She knows what she’s about, too,” Farson reported to Brainard. “I don’t see how she’s done it, but in her flip way she’s absorbed a lot in Europe. She knows what all of them are doing. She was quoting Brieux, Barrie, and Shaw at me last night all in one gulp. I must rewrite that third curtain to suit her ladyship.”

His Great Adventure — Part 168

“You must remember that you are dealing with a star,” Brainard observed dryly. “Louisiana may be new to the firmament, but she knows instinctively what belongs to her starship.”

In much the same manner the new leading lady took hold of the other players, and “shook ’em all by the neck and woke ’em up.” There were but three weeks left, and she wore the company almost to the point of revolt by the long rehearsals she demanded. When they grumbled, she read them a characteristic lecture.

“It’s your last stunt for the old People’s. You know you have all got a lot out of the concern—for one thing, better pay than some of you will ever see again; and much more besides. So show that you’ve got something warm inside your anatomy where your hearts ought to be—at least a dog’s gratitude for the hand that’s fed you. The piece is all right, too; it will make the jaded pulse of Broadway flutter like an _ingénue_. Just you give the public a chance to discover that here is a play as _is_ a play!”