I therefore write out here, for children who have never yet danced at winter balls, this motto from the laws of fashion: When people are about to make a declaration to you, to put one into their mouths is as impolite as it is dangerous.
"I will just show you why," said she, and reached her hand half way to his and drew it back again, and took him with her through her reading-cabinet, through her library into her picture-gallery. When she walked, one could hardly walk himself; because one wanted to stand and look after her. Still harder was it by her side to look at pictures. She pointed out to him in the gallery a motley row of likenesses which the most famous painters had taken of themselves, and which the Resident Lady had had copied from the gallery in Florence. "You see, if you were a famous painter--and that you must become--I should not have your portrait yet in my collection." On the window-seat stood upright the female parasol, a green walking-fan, which he could have taken his oath before a bench of justice was Beata's--several hay-carts of Wouwerman's _grass_, several hundredweight of Salvator Rosa's _rocks_, and a square mile of Everdingen's _grounds_, would he have given for that mere fan.
But the promise which had been extorted from him, to paint himself, was, for such a child of nature as he, to whom art had not yet given vanity, hard to fulfil. Hundreds of youths now-a-days show more ability to survey themselves before a looking-glass in company, than he had to do it in solitude. He really feared that he was committing all the time the sin of vanity.
In this way my hero, who is trying to fetch himself out of the looking-glass, is beheld and painted by three drawing masters at once: by the biographer, or myself, by the romancer, or Herr von Oefel, who inserts in his romance a chapter wherein he treats anonymously Gustavus's love for the Bouse, and by the painter and hero himself. He may well, then, be well hit.
Of Oefel's romance of the Grand Sultan nothing more will appear in the court bookstore at the next fair than the first volume; and it will gratify the minor public which reads and makes the most of our romances, to hear that I have looked a little into the Grand Sultan and that most of the characters therein are taken not out of the wretched _actual_ world, which, moreover, one has around him every week and knows as well as he does himself, but mostly out of the _air_,[68] that arsenal and nursery of the thinking romancer; for if, (according to the system of dissemination) the _germs_ of the actual man, side by side with the pollen of flowers, flutter round in the air, and must, out of it, as the repository of posterity, be precipitated and absorbed by the fathers: then much more must authors get their _drawings_ of men out of the air, (where all Epicurus's exfoliations of actual things fly round,) and shape them on paper, that the reader may not crumble.