Trina Robbins (born Trina Perlson; August 17, 1938, in Brooklyn, New York) is an American cartoonist. She was an early participant in the underground comix movement, and one of the first female artists in that movement. She is a member of the Will Eisner Hall of Fame.
Career
Early work
Robbins was an active member of science fiction fandom in the 1950s and 1960s. Her illustrations appeared in science fiction fanzines like the Hugo-nominated Habakkuk.
Comics
Robbins' first comics were printed in the East Village Other; she also contributed to the spin-off underground comic Gothic Blimp Works.
In 1969, Robbins designed the costume for the Warren Publishing character Vampirella for artist Frank Frazetta in Vampirella #1 (Sept. 1969).
She left New York for San Francisco in 1970, where she worked at the feminist underground newspaper It Ain't Me, Babe. The same year, she produced the first all-woman comic book, the one-shot It Ain't Me, Babe Comix with fellow female artist Barbara "Willy" Mendes. Robbins became involved in creating outlets for and promoting female comics artists, through projects such as the comics anthology Wimmen's Comix, with which she was involved for twenty years. Wimmen's Comix #1 featured Robbins' "Sandy Comes Out", the first-ever comic strip featuring an "out" lesbian.
During this time, Robbins also became a contributor to the San Francisco-based underground paper Good Times, along with art director Harry Driggs and Guy Colwell.
Robbins became increasingly outspoken in her beliefs, criticizing underground comix artist Robert Crumb for the perceived misogyny of many of his comics, saying, "It's weird to me how willing people are to overlook the hideous darkness in Crumb's work ... What the hell is funny about rape and murder?"
In the early 1980s, Robbins created adaptations of Sax Rohmer's Dope and Tanith Lee's The Silver Metal Lover. In the mid-1980s she wrote and drew Misty for the Marvel Comics children's imprint Star Comics. The short-lived series was a reinterpretation of the long-standing character Millie the Model, now minding her niece Misty. She followed Misty with the similar California Girls, an eight-issue series published by Eclipse Comics in 1987–1988.
In 1990, Robbins edited and contributed to Choices: A Pro-Choice Benefit Comic Anthology for the National Organization for Women, published under Robbins' own imprint, Angry Isis Press. The all-star list of contributors, who were mostly but not all women, included representatives of the underground — Lee Marrs, Sharon Rudahl, Harry Driggs, Diane Noomin, Harry S. Robins, and Robbins herself; alternative — Nina Paley, Phoebe Gloeckner, Reed Waller & Kate Worley, Roberta Gregory, Norman Dog, and Steve Lafler; queer — Leslie Ewing, Jennifer Camper, Alison Bechdel, Angela Bocage, Jackie Urbanovic, Howard Cruse, Robert Triptow, and M. J. Goldberg; and mainstream — Cynthia Martin, Barbara Slate, Mindy Newell, Ramona Fradon, Steve Leialoha, William Messner-Loebs, and Bill Koeb — comics communities. A number of contributors — Nicole Hollander, Cathy Guisewite, Garry Trudeau, Bill Griffith, and Jules Feiffer — were comic strip creators whose work in the anthology was reprinted from their syndicated strips.
In 2000 Robbins introduced GoGirl! — superhero stories designed to appeal to young girls. Robbins wrote the stories, with Anne Timmons providing the bulk of the art. The series ran for five issues with Image Comics, and then was picked up by Dark Horse Comics, with the final issue coming out in 2006.
In 2010, she began writing comics adventures of the Honey West female detective character for a series published by Moonstone Books.
Wonder Woman
Robbins' official involvement with Wonder Woman began in 1986. At the conclusion of the first volume of the series (in conjunction with the series Crisis on Infinite Earths), DC Comics published a four-issue limited series titled The Legend of Wonder Woman, written by Kurt Busiek and drawn by Robbins. The series paid homage to the character's Golden Age roots. She also appeared as herself in Wonder Woman Annual 2 (1989).
In the mid-1990s, Robbins criticized artist Mike Deodato's "bad girl art" portrayal of Wonder Woman, calling Deodato's version of the character a "barely clothed hypersexual pinup."
In the late 1990s, Robbins collaborated with Colleen Doran on the DC Comics graphic novel Wonder Woman: The Once and Future Story, on the subject of spousal abuse.
Writing and activism
In addition to her comics work, Robbins is an author of nonfiction books on the history of women in cartooning.