"To-morrow and to-morrow and to-morrow, my pearl above price. It is so hard, so very hard," he answered. "Fine or wet I shall be here to-morrow, for I am not going back to Newlyn again till my work is done. Three more sittings, Joan, if you have enough patience--"
She did not explain to him what difficulties daily grew in the way of her coming, how rumor was alive, and how her stepmother had threatened more than once to tell Gray Michael that his wayward daughter was growing a gadabout. Joan had explained away her roaming with a variety of more or less ingenious lies, and she always found her brain startlingly fertile where the artist and his picture were concerned. She felt little doubt that three more visits to Gorse Point might be achieved--ay, and thirty more if necessary. But afterward? What would follow the painting of the picture? She asked herself the question as he kissed her, with a kiss that was almost rough, while he bid her go quickly; and the former reply to every doubt made answer. Her fears fled as usual before the invigorating spectacle of this sterling, truth-loving man. With him all the future remained and with him only. Hers was the pleasant, passive task of obedience to one utterly trusted and passionately loved. Her fate lay hidden in his heart, as the fate of the clay lies hid in the brain of the potter.
And so home she went, walking in a sunshine of her own thoughts. The clouds were gone; they massed gloomily on the horizon of the past; but looking forward, she saw no more of them. All time to come was at the disposition of the wisest man she had ever met. She did not know or guess at the battle which this same wise man had fought and lost under her eyes; she gathered nothing of the truth from his gloom, his silence, his changed voice, his sudden farewell. She did not know passion when she saw it; and the ugly visible signs thereof told no tale to her.
That night the change came and the wind veered first to the south, then to the southwest. By morning, gray clouds hid the sky and hourly grew darker and lower. As yet no rain fell, but the world had altered, and every light-value, from an artist's standpoint, was modified.
John Barren sat by his stove in the byre, made himself a cup of black coffee, and presently, wrapped in a big mackintosh, walked out to Gorse Point. His picture he left, of course, at the shed, for painting was out of the question.