_Breif Remarks upon a Passage or two in the_ Dedications _of_ Aurenge Zebe, _and the_ Translation _of_ Juvenal. p. 66, 69
_Farther Instances of_ Profaneness _in_ Love Triumphant. p. 72
_The_ Horrid Impiety _of this_ Liberty. p. 80
_The_ Stage _guilty of down right_ Blasphemy.
_This_ Charge _made good from several of the_ Plays _above mention'd_. p. 82
_The Comparative Regularity of the_ Heathen Stage, _exemplyfied in_ Terence, _and_ Plautus. p. 86
Seneca _more exceptionable than the_ Greeks, _but not so faulty as the_ Modern Stage. p. 94
_This_ outraging _of_ Religion Intolerable. p. 95
_The_ Clergy _abused by the_ Stage. p. 98
_This Usage both_ { _Unpresidented_. p. 112 _And_ { _Unreasonable_. p. 127
_The Misbehaviour of the_ Stage _upon this account_. p. 138
Immorality encouraged _by the_ Stage. p. 140
_The_ Stage Poets _make_ Libertines _their_ Top-Characters, _and give them_ Success _in their_ Debauchery. p. 142
_A_ Character _of their_ fine Gentleman. p. 143
_Their_ fine Ladies _Accomplish'd much after the same manner_. p. 146
_The_ Young People _of_ Figure _in_ Plautus _and_ Terence, _have a greater regard to_ Morality. Ibid.
_The Defence in the_ Preface _to the_ Mock-Astrologer, _not sufficient_. p. 148
_The_ Christian _Religion makes a great_ difference _in the Case_. p. 149
Horace _of a Contrary Opinion to the_ Mock-Astrologer. p. 150
_The_ Mock-Astrologer's _Instances from_ Ben Johnson _Unserviceable_. p. 151
_The Authority of_ Shakespear _against the_ Mock-Astrologer. p. 154
_His_ Maxim _founded on the difference between_ Tragedy, _and_ Comedy, _a_ Mistake. p. 155
Delight _not the Chief-End of_ Comedy. p. 157
_This Assertion prov'd against the_ Mock-Astrologer _from the Testimonies of_ Rapin. Ibid.
Aristotle, _and_ Quintilian, _cited to the same purpose_ p. 159, 161
_To make_ Delight _the main Business in_ Comedy, _dangerous, and unreasonable_. p. 162
_The improper Conduct of the_ Stage _with respect to Poetry, and Ceremony_. p. 165
_Gingles in the_ Spanish Fryar, King Arthur, _and_ Love Triumphant. p. 169
Women _roughly treated by the_ Stage. p. 171
_Their coarse Usage of the_ Nobility. p. 173
_These Freedoms peculiar to the_ English Stage. p. 175
_The_ Machines _prophane, smutty, and out of the Character_. p. 178