The second lion was a tailor by trade, who belonged to the playhouse, and had the character of a mild and peaceful man in his profession. If the former was too furious, this was too sheepish, for his part; inasmuch that, after a short, modest walk upon the stage, he would fall at the first touch of 'Hydaspes'[147] without grappling with him and giving him an opportunity of showing his variety of Italian trips; it is said, indeed, that he once gave him a rip in his flesh-colored doublet; but this was only to make work for himself in his private character of a tailor. I must not omit that it was this second lion who treated me with so much humanity behind the scenes.

The acting lion at present is, as I am informed, a country gentleman who does it for his diversion, but desires his name may be concealed. He says very handsomely, in his own excuse, that he does not act for gain, that he indulges an innocent pleasure in it, and that it is better to pass away an evening in this manner than in gaming and drinking; but at the same time says, with a very agreeable raillery upon himself, that if his name should be known the ill-natured world might call him _the ass in the lion's skin_. This gentleman's temper is made out of such a happy mixture of the mild and the choleric that he outdoes both his predecessors, and has drawn together greater audiences than have been known in the memory of man.

From Chaucer to Tennyson — Part 155

I must not conclude my narrative without taking notice of a groundless report that has been raised to a gentleman's disadvantage, of whom I must declare myself an admirer; namely, that Signor Nicolini and the lion have been seen sitting peaceably by one another and smoking a pipe together behind the scenes, by which their common enemies would insinuate that it is but a sham combat which they represent upon the stage; but upon inquiry I find that if any such correspondence has passed between them it was not till the combat was over, when the lion was to be looked upon as dead, according to the received rules of the drama. Besides, this is what is practiced every day in Westminster Hall, where nothing is more usual than to see a couple of lawyers, who have been tearing each other to pieces in the court, embracing one another as soon as they are out of it.

From Chaucer to Tennyson — Part 155