Ron English (born June 6, 1959) is an American contemporary artist who explores brand imagery, street art, and advertising.

Career

English has produced images on the street, in museums, in movies, books and television. He coined the term POPaganda to describe a mash-up of high and low cultural touchstones, from superhero mythology to totems of art history, populated with his original characters, including MC Supersized, the obese fast-food mascot featured in the movie Super Size Me, and Abraham Obama, the fusion of America's 16th and 44th Presidents. Other characters in English's paintings, billboards, and sculpture include three-eyed rabbits, cowgirls and grinning skulls – visual, with humorous undertones.

Ron English

English was interviewed for the documentary Super Size Me (2004), which showed his McDonald's-themed artwork—inspired by his belief about the effect of fast food franchises and restaurant chains on American culture – "MC Supersized".

Ron English

"Abraham Obama", made during the 2008 US Presidential Election, was a "portrait-fusion" of America's 16th and 44th Presidents.

Ron English

English has painted album covers for the Dandy Warhols' Welcome to the Monkey House, the 2010 album Slash, and the Chris Brown album cover for F.A.M.E. Some of his paintings were used in the Morgan Spurlock documentaries Super Size Me and The Greatest Movie Ever Sold. English has collaborated with Daniel Johnston and Jack Medicine in the Hyperjinx Tricycle project. In 2010 he created the artwork for Art Nouveau Magazine's first print issue.

English is the subject of a Pedro Carvajal documentary titled Popaganda (after one of his art books). He is also a subject of "The Art Army" action figures by Michael Leavitt. English and his fellow artists Shepard Fairey, Kenny Scharf and Robbie Conal guest-starred on the March 4, 2012, episode of The Simpsons, "Exit Through the Kwik-E-Mart". In 2015 he was a guest judge on the Oxygen Network's reality show Streetart Throwdown created by Justin BUA.

In November 2021 English's giant immersive instillation Sugar Circus opened in Shenzhen, PRC marking the beginning of the exhibitions world tour.

Street art

English has an early background as an art reproducer. English has initiated and participated in illegal public art campaigns since the early 1980s and for this is often referred to as the 'Godfather of Street Art'. Ron English street art activities are the subject matter and covered extensively in the Pedro Carvajal documentary titled Popaganda.

Culture jamming is one aspect of English's work. Although never an official member, Ron several times joined with the Billboard Liberation Front, which practices culture jamming by altering billboards by changing key words to radically alter the message, often to an anti-corporate message. Frequent targets of English's work include Joe Camel, McDonald's, and Mickey Mouse.

English intends his culture jamming technique to inspire people to question consumer capitalism. English does this by using his over emphasized, grotesque, and to some, offensive, characters to intrigue the consumer, luring them in to reveal the truth behind the product.

Later English focused on another form of advertising: product packaging. He recreates several different kinds of packaging (cereal boxes, milk cartons, cigarette packs, etc.), to reveal truth in advertising. After designing the packaging English and his Team POPaganda infiltrate different retailers around the country and "shop gift". Some of English's product packaging designs include, "Cap'n Corn Starch", "Duncan High Hash Brownies" and "Camel Kool's" THC Enriched Tobacco Cigarettes.

English has created murals a locations throughout the world.

Fine art

English is a fine art painter specializing in oils. He received his bachelor of Fine Arts from the University of North Texas in Denton, Texas. He moved to New York City and apprenticed with several artists, beginning to sell his own work. His style is characterized by extreme photo realism, use of secondary color and appropriation of pop imagery. Frequent themes are revisiting and reworking childhood with adult skill as well as examining the darker meanings behind garish pop surface imagery. English also uses historical imagery as a template to explore universal issues. He has frequently reworked images of The Last Supper, Starry Night, and Picasso's Guernica.