8: The Mormon Proposition is an American documentary that examines the Church of Jesus Christ of Latter-day Saints and its support of California Proposition 8, stating that the church has been actively involved in the denial of LGBT human rights. The film was written by Reed Cowan, directed by Cowan and Steven Greenstreet, and narrated by Dustin Lance Black. It was released on June 18, 2010, by Red Flag Releasing.

Synopsis

Director Reed Cowan, who is a former Mormon missionary, "planned on making a film about gay teen homelessness and suicide in Utah, but switched his focus to Mormon ideology because of how it contributes to the homophobia that causes these problems". The film focuses on the wealth and power of the Church of Jesus Christ of Latter-day Saints (LDS Church), and how the Church uses the National Organization for Marriage to advocate for denial of rights to lesbian, gay, bisexual, and transgender (LGBT) Americans. It states that LDS Church leader Thomas S. Monson asked to ensure the passage of the controversial California Proposition 8. It also claims that many homeless people in Utah are LGBT teens who were abandoned by their Mormon parents.

8: The Mormon Proposition

According to The New York Times, the film "uncovers the classified church documents and the largely concealed money trail of Mormon contributions that paid for a high-powered campaign to pass Proposition 8", noting that "Mormons raised an estimated $22 million for the cause."

8: The Mormon Proposition

The Church of Jesus Christ of Latter-day Saints response

When The Washington Post requested comment, the LDS Church forwarded its official statement that said in part,"Clearly, anyone looking for balance and thoughtful discussion of a serious topic will need to look elsewhere," said Michael Purdy, a spokesman for the LDS Church, in a statement quoted by the Los Angeles Times.

8: The Mormon Proposition

Reception

Based on 36 reviews collected by the film review aggregator Rotten Tomatoes, 64% of critics gave 8: The Mormon Proposition a positive review, with an average rating of 6.2/10.

The Los Angeles Times said the film is "An outstanding and urgent example of the investigative documentary" that "is all the scarier for its straightforward presentation of how the LDS Church succeeded in getting California's Proposition 8 on the ballot in 2008 and then getting it passed. As an exposé, there could hardly be a stronger case for ensuring and strengthening the separation of church and state".

Variety said,The New York Times called the film "highly emotional" it also states "The documentary is really two films roughly stitched together. The first two-thirds tells the history of Proposition 8; the final third is a wrenching exploration of the effects on gay Mormons of the church's strict taboo on homosexuality." it concludes "The movie shows the depth of religion-based loathing of homosexuality, like that of abortion, to be primal."

The Village Voice noted "Diving into the grim irony of one group of Americans denying another group its rights under the guise of upholding American freedoms and ideals, director Reed Cowan locks on his goals of illustrating how the Mormon church played California politics like a fiddle, and how the church's homophobia has ruined the lives of its queer faithful. Cowan strikes a potent balance between heart and head, juxtaposing emotionally wrenching moments (a segment in which queer Mormons delineate past suicide attempts is especially painful) with self-damning portraits of Mormon politicians and church officials, and hard-nosed journalism from reporter Fred Karger, who exhaustively outlines the church's role in conceiving and bankrolling Prop. 8. The film, whose low budget is underscored in cheesy dramatic re-enactments, might have been strengthened had Cowan connected dots between the fact that at the same time that California passed Prop. 8, Arizona and Florida also passed initiatives banning gay marriage..." but then went on to say that "the flaws pale against what's illustrated, which is not just how Prop. 8 passed, but the sordid, cynical workings of our political machine."