No, says the modern man: you are destroying his manifest gift, the very deepest outcome of his personality: he might be a pickpocket, true, but then he might be a great violinist, he might be a great worker in all manner of materials requiring deftness: instead of cutting off his hands, let us put him at an industrial school, let us set him to playing the violin, let us cherish him, let us develop his personality. So, Plato takes the gift of acquiring property--for it is a real gift and blessing to man, if properly developed--and he will chop it off, that is, he will crush out the desire of property by destroying the possibility of its exercise.

And what is this in its outcome but the Nirvana of the Buddhists? My passions keep me in fear and hope; therefore I will annihilate them: when I neither think nor desire, then I shall rest, then I shall enjoy Nirvana. Plato institutes a Nirvana for the ills of marriage, of offspring, of property: and he realizes it by the slow death through inanition of the desire for love, for children, for property.

The English Novel — Part 73

And as we have found the Platonic Plato arguing himself into Zola, the dialectic Plato arguing himself into a dreaming Buddha, all for lack of the sense of personality, we now find the ideal Plato arguing himself, for the same lack, into a brawny Whitman. Think of Plato's community of property, and listen to Whitman's reverie, as he looks at some cattle. It is curious to notice how you cannot escape a certain sense of _naïveté_ in this, and how you are taken by it,--until a moment's thought shows you that the _naïveté_ is due to a cunning and bold contradiction of every fact in the case.

The English Novel — Part 73

"I think I could turn and live with animals, they are so placid and self-contain'd: I stand and look at them long and long.

The English Novel — Part 73

Not one is dissatisfied--not one is demented with the mania of owning things: Not one is respectable or industrious over the whole earth."

The Whitman method of reaching _naïveté_ is here so queerly illustrated that it seems worth while to stop a moment and point it out. Upon the least reflection, one must see that "animals" here must mean cows, and well-fed cows; for they are about the only animals in the world to whom these items would apply. For says Whitman, "not one is dissatisfied, not one is demented with the mania of owning things:" but suppose he were taking one of his favorite night-strolls in the woods of Bengal rather than of New Jersey, is it not more than probable that the first animal he met would be some wicked tiger not only dissatisfied, but perfectly demented with the mania of owning Whitman, the only kind of property the tiger knows? Seriously, when we reflect that property to the animal means no more than food or nest or lair, and that the whole wing-shaken air above us, the earth-surface about us, the earth-crust below us, the seas, and all, are alive day and night with the furious activity of animals quite as fairly demented with the mania of owning their property as men theirs; and that it is only the pampered beast who is not so demented,--the cow, for instance, who has her property duly brought to her so many times a day and has no more to do but to enjoy the cud thereof until next feed-time,--we have a very instructive model of methods by which poetry can make itself _naïve_.