Newman’s Discussions and Arguments on Various Subjects, 421. Newman’s Historical Sketches, 855.
Oakeley’s The Order and Ceremonial of the Mass, 856.
Paine’s Physiology of the Soul, etc., 430. Pellico’s Duties of Young Men, 575. Phædrus, Justin, and Nepos, 575. Proctor’s Half-Hour Recreations in Popular Science, 431. Proctor’s Strange Discoveries Respecting the Aurora, 431. Public School Education, 860.
Rawes’ Great Truths in Little Words, 856. Reports on Observations of the Total Solar Eclipse, 431. Roscoe, Huggins, and Lockyer’s Spectrum Analysis, 431.
St. Teresa, The Book of the Foundations of, 142. St. Thomas of Aquin: His Life and Labors, 568. Saunders’ Salad for the Solitary and the Social, 143. Sedgwick’s Relation and Duty of the Lawyer to the State, 430. Sermons by Fathers of the Society of Jesus, 425. Sir Humphrey’s Trial, 860. Smiddy’s An Address on the Druids, Churches, and Round Towers of Ireland, 143. Spectrum Analysis, 431. Souvestre’s French Eggs, 425.
Taine’s Notes on England, 719. Tondini’s The Pope of Rome, 427. Travels in Arabia, 432. Tyler’s Life of Roger B. Taney, 853.
Una and Her Paupers; or, Memorials of Agnes E. Jones, 569.
Vaughan’s St. Thomas of Aquin: His Life and Labors, 568. Veith’s Via Crucis; or, The Way of the Cross, 426. Vetromile’s Travels in Europe and the East, 857. Virtues and Defects of a Young Girl, 571.
Warner’s Saunterings, 719. Welsh’s Women Helpers in the Church, 572. Wiseman’s Witch of Rosenburg, 720. Women Helpers in the Church, 572. Woodland Cottage, etc., 432.
Entered according to Act of Congress, in the year 1872, by Rev. I. T. HECKER, in the Office of the Librarian of Congress, at Washington, D. C.
In so far as we may judge from the notices in periodicals and newspapers, this work appears to have been received, both in England and the United States, not only with general favor, but with enthusiastic admiration.
A history of English literature based on a system new to the great body of English readers, and written with freshness, _verve_, and certain attractive peculiarities of style, could not fail to fix their attention and engage their interest from the beginning to the end of its two bulky octavo volumes. The author of the work in question is so well known in the world of letters by his essays on the philosophy of art that he needs no introduction to our readers.