Aside from lettering show cards and the like, he also did considerable work in objects, done in relief with leaves, flowers, scrolls and other designs. He also did considerable work in home decorations, such as vases, flower pots, panels, picture frames, and other made designs, such as “Merry Christmas,” “Home, Sweet Home,” “Happy New Year,” and other placards, for which he found a ready sale.

The materials used were alabastine, bronze, flitters, diamond dust and analine coloring powders; white and colored cardboard of all sizes; white wood, glass, and metal ware, used to some extent for expensive pieces of work. He utilized many new and original ideas in his work, and showed remarkable taste and talent in execution.

One Thousand Ways To Make A Living; or, An Encyclopædia of Plans to Make Money — Part 136

An idea of his profits may be gained from the statement that plain lettered card signs that cost him from 1 to 8 cents to produce, he sold for 15 to 20 cents, while those more elaborately made with diamond dust, flitters, gold and silver lettering, costing 2 to 6 cents each, brought him from 20 to 50 cents each. Mottoes, finely executed, sold for 75 cents to $1 each. In many cases he gave instructions in lettering and sold outfits for doing the work at $2 to $3 each, and made considerable from that source.

One Thousand Ways To Make A Living; or, An Encyclopædia of Plans to Make Money — Part 136

For making his lettering waterproof, he used two parts alabastine, 1 part flour, 1 part linseed oil, stirring them well, then quickly adding cold water. For the work thus treated he made an additional charge that paid its cost many times over.

One Thousand Ways To Make A Living; or, An Encyclopædia of Plans to Make Money — Part 136

An old gentleman living in a western town of 5,000 people, unable to do hard work, but obliged to earn his own living, hit upon a plan that brought him a small income upon which he could live with comfort. His plan was to make a simple water filter; and, as the local water supply was not of the best, he sold all he could make.

Taking a small wooden pail, not painted on the inside, he bored a hole in the bottom and covered the bottom of the pail with flannel. Then he put in a layer of coarsely powdered charcoal to a depth of 2 inches, then a 8-inch layer of coarse sand, and on top of this a 8-inch layer of coarse powdered limestone. Setting the pail over a jar, he allowed the water from the faucet to drip slowly into the pail, where it was thoroughly filtered before going into the jar, and was therefore perfectly safe for drinking.