BARRETT, JOHN. A London maker, who worked about 1725. He made some good instruments which are dated from the Harp and Crown in Piccadilly. He followed the Stainer model. His varnish is unsatisfactory.
BETTS, JOHN, London, born at Stamford in 1755, died 1823. This excellent maker was a pupil of Duke, and adopted the Amati model. He was not himself a prolific maker, his time being principally occupied in the study of old Italian instruments, the result of which enabled him to become a very successful dealer and connoisseur. Betts, or “old John,” as he was most commonly called, carried on an extensive business in the construction of violins, and employed in his workshop such men as John Carter, Edward Betts, Panormo, Bernhard Fendt, all of whom subsequently succeeded in making good instruments on their own account. Betts’s shop was No. 2 near Northgate of the Royal Exchange, and after his death the business was continued by his descendants till within a few years ago.
DUKE, RICHARD, London, about 1765-1791. Probably no violin of English make has attained such popularity as have the instruments of this maker, hence it is that he is so extensively imitated. Who instructed him in the art of making violins, etc., is not positively known, but his instruments are of the highest order in all respects but the varnish, in which he was not always successful. Duke followed both the Stainer and Amati models, the latter being his best. His violoncellos are rather high in model, long in pattern, yellowish varnish and rich in tone. For his violins he used a dull brown varnish, very elastic and transparent. During a considerable period Duke worked in the vicinity of Holborn. Many of his instruments are stamped near the button “Duke, London.”
Labels, mostly written in pen and ink, are as follows:
Richard Duke, Maker, Holborn, London, Anno 1777.
The following is a copy of a printed one:
“Richard Duke, Maker, near opposite Great Turn-Stile, Holbourn, London.”
FENDT, BERNHARD, born at Inspruck, in the Tyrol, in 1756, died in London in 1832. He was at first instructed in the art of violin making by his uncle in Paris, who spelt his name Fent, a maker there of some reputation. Bernhard then came to London and entered the service of Thomas Dodd, the bow maker, and remained with him several years, working in conjunction with John Frederick Lott. They were never entrusted to carry their work beyond the white, and the instruments turned out by this pair were delivered to their master, who applied the varnish with his own hand, the secret of which he kept carefully to himself.