He read and tossed aside the letters; one only interested him, from Edward Farque, whose journey to China had interrupted a friendship of long standing. Edward Farque's work on eastern art and philosophy, on Chinese painting and Chinese thought in particular, had made its mark. He was an authority. He was to be back about this time, and his friend smiled with pleasure. "Dear old unpractical dreamer, as I used to call him," he mused. "He's a success, anyhow!" And as he mused, the presence that sat beside him came a little closer, yet at the same time faded. Not that he forgot her--that was impossible--but that just before opening the letter from his friend, he had come to a decision. He had definitely made up his mind to seek acquaintance. The reality replaced the remembered substitute.
"As the newspapers may have warned you," ran the familiar and kinky writing, "I am back in England after what the scribes term my ten years of exile in Cathay. I have taken a little house in Hampstead for six months, and am just settling in. Come to us to-morrow night and let me prove it to you. Come to dinner. We shall have much to say; we both are ten years wiser. You know how glad I shall be to see my old-time critic and disparager, but let me add frankly that I want to ask you a few professional, or, rather, technical, questions. So prepare yourself to come as doctor and as friend. I am writing, as the papers said truthfully, a treatise on Chinese thought. But--don't shy!--it is about Chinese Magic that I want your technical advice [the last two words were substituted for "professional wisdom," which had been crossed out] and the benefit of your vast experience. So come, old friend, come quickly, and come hungry! I'll feed your body as you shall feed my mind.--Yours,
"P.S.--'The coming of a friend from a far-off land--is not this true joy?'"
Dr. Francis laid down the letter with a pleased anticipatory chuckle, and it was the touch in the final sentence that amused him. In spite of being an authority, Farque was clearly the same fanciful, poetic dreamer as of old. He quoted Confucius as in other days. The firm but kinky writing had not altered either. The only sign of novelty he noticed was the use of scented paper, for a faint and pungent aroma clung to the big quarto sheet.