About two years after her last visit to Scotland, Miss Baillie had the grief of losing her brother and beloved friend, Dr. Matthew Baillie, who, after a life of remarkable activity and usefulness, died full of honors in 1823. He left, besides a widow, who long survived him, a son and daughter, who with their families have been the source of much delightful and affectionate interest to the declining years of the retired sisters. In the composition and careful revisal of her numerous and varied works--in receiving at her modest home the friends she most loved and respected, a list of whom would include many of the best-known names of her time for talent and genius--in the active exercise of friendship, benevolence, and charity--ever contented with the lot assigned to her, and as grateful for the enjoyment of God's blessings as she was submissive to his painful trials--her unusually complete life glided calmly on, and was peacefully closed on the 23d of February last.
It will be easily believed, that in spite of all the natural modesty and reserve of Miss Baillie's character, the impression made by the appearance of one so highly gifted on those who had the happiness of being admitted to her intimacy, was neither slight nor evanescent. "Dear, venerable Joanna!" writes one of those, "I wish I could, for my own or others' benefit, recall, and in any way fix, the features of your countenance and mind! The ever-thoughtful brow--the eye that in old age still dilated with expression, or was suffused with a tear. I never felt afraid of her. How could I, having experienced nothing but the most constant kindness and indulgence? I had heard of the 'awful stillness of the Hampstead drawing-room;' and when I first saw her in her own quiet home (she must have been then bordering on seventy, and I on twenty), I remember likening myself to the devil in Milton. I felt 'how awful goodness is--and virtue in her shape, how lovely!' One could not help feeling a constant reverence for her worth, even more than an admiration of her intellectual gifts. There was something, indeed, in her appearance that quite contrasted with one's ideas of authorship, which made one forget her works in her presence--nay, almost wonder if the neat, precise old maid before one could really be the same person who had painted the warm passion of a Basil, or soared to and sympathized with the ambition of a Mohammed or a Paleologus."