It is true that, during the currency of any year, whilst the quantity is liable to indeterminate augmentation, ballads will be rather looking down in the market. But that is a shadow which settles upon every earthly good thing. No Greek book, for instance, amongst the many that have perished, would so much rejoice many of us by its resurrection as the comedies of Menander. Yet, if a correspondent should write word from Pompeii that twenty-five thousand separate dramas of Menander had been found in good preservation, adding in a postscript that forty thousand more had been impounded within the last two hours, and that there was every prospect of bagging two hundred thousand more before morning, we should probably petition Government to receive the importing vessels with chain-shot. Not even Milton or Shakespeare could make head against such a Lopez de Vega principle of ruinous superfluity. Allowing for this one case of preternatural excess, assuming only that degree of limitation which any absolute past must almost always create up to that point, we say that there is no conceivable composition, or class of compositions, which will not be welcomed into literature provided, as to matter, that it shall embody some natural strain of feeling, and provided, as to manner, that it illustrate the characteristic style of a known generation.
It might suffice for our present purpose to have once firmly distinguished between the two modes of literature. But it may be as well to point out a few corollaries from this distinction, which will serve at the same time to explain and to confirm it. For instance, first of all, it has been abundantly insisted on in our modern times, that the value of every literature lies in its characteristic part; a truth certainly, but a truth upon which the German chanticleer would not have crowed and flapped his wings so exultingly, had he perceived the original and indispensable schism between the literature of knowledge and the literature of power, because in this latter only can anything characteristic of a man or of a nation be embodied. The science of no man can be characteristic, no man can geometrize or chemically analyze after a manner peculiar to himself. He may be the first to open a new road, and in that meaning it may be called _his_ road; but _his_ it cannot be by any such peculiarities as will found an _incommunicable_ excellence. In literature proper, viz., the literature of power, this is otherwise. There may doubtless have been many imitative poets, wearing little or nothing of a natural individuality; but of no poet, that ever _led_ his own class, can it have been possible that he should have been otherwise than strongly differenced by inimitable features and by traits not transferable. Consequently the [Greek: to] characteristic, of which in German cloudland so noisy a proclamation is made as of some transcendental discovery, is a mere inference from the very idea of a literature. For we repeat that in blank knowledge a separate peculiarity marking the individual is not conceivable, whereas in a true literature reflecting human nature, not as it represents, but as it wills, not as a passive minor, but as a self-moving power, it is not possible to avoid the characteristic except only in the degree by which the inspiring nature happens to be feeble. The exorbitations that differentiate them may be of narrow compass, but only where the motive power was originally weak. And agreeably to this remark it may be asserted that in all literature properly so-called genius, is always manifested, and talent generally; but in the literature of knowledge it may be doubted very seriously whether there is any opening for more than talent. Genius may be defined in the severest manner as _that which is generally characteristic_; but a thousand times we repeat that one man's mode of knowing an object cannot differ from another man's. It _cannot_ be characteristic, and its geniality cannot be externally manifested. To have said, therefore, of the poetry surviving from ancient Latium, from Castile, from England, that this is nationally characteristic, and knowable apart by inalienable differences, is saying no more than follows out of the very definition by which any and every literature proper is limited and guarded as a mode of power.