He had no humanitarian ideals to weaken his self-regarding purposes. He was highly sceptical as to the merits, or even the potentialities, of humanity; recognized self-interest as its ruling motive, and was never blinded by this motive's various disguises--idealistic, aesthetic, or philanthropic. That the disguises often deceived their wearers he quite owned; his kindness consisted in such cynical taking for granted; but he was keen to see the eternal greedy animal under the fine apparel, and tolerant towards the brother brute. He wished him well; thought it by all means advisable that he should wear fine apparel and be dull of sight; but his own gift of clear, dispassionate vision justified him, he would have said, had he ever sought to justify himself, in feeling towards the hoodwinked as towards tools that he could put to no better use than in using them for his own interest and for his nation's interest. He and his nation, on the whole, were fittest, and he intended that each should survive to the best of its ability.
So far only outer circumstances had opposed him--and been walked through. He knew no inner antagonists. He was neither sensitive nor sentimental. His imagination pointed out pitfalls, but laid no snares for him.
Cooly critical of women, they aroused no illusions in him. Their feathers and furbelows in the way of feelings were often finer than the masculine decorations; but he suspected the little animal underneath of even meaner though more labyrinthine egotisms. Such a little animal, most exquisitely furbelowed--he granted her good taste in spiritual trappings--he considered Angela to be, and he was anxious that his friend should profit by her trappings, material as well as spiritual.
Oddly enough, he had never applied the animal simile to Maurice; this affection was boxed off, as it were, in a secure bit of heart, safely out of reach of reason, though he and Maurice had little in common. Art was Maurice's object; his attitude that of the spectator at the drama of life. Geoffrey observed only that he might act; though not altogether inappreciative, art was to him the decoration only of life, the arabesque on the blade with which one fought; one might contemplate the arabesque in moments of leisure.