Spod are an Australian indie, electro band, often styled as SPOD, which formed in 1995. It is also the pseudonym of the band's mainstay member, Brent Griffin, whether he is performing solo or with other members. They have released two albums, Taste the Radness (2003) and Superfrenz (September 2008).
History
Spod were formed in Sydney as an indie, electro duo, first named Jizm, by Brent Griffin (later a.k.a. Spod) on guitar and keyboards, and Mike Rickards. They had attended the same secondary school. Griffin was a public servant in the New South Wales' Premier's Department and Rickards was a university student and sportsman.
Griffin and Richards shared a passion for Ween's "Push th' Little Daisies" (1993), Griffin later recalled, "we both confessed that we loved this 'Push Th' Little Daisies' song to each other – quite sheepishly, as everyone else reacted terribly to that news. From that moment, we clicked into a high gear, decided to borrow a four track from his uni, started looping Beastie Boys beats on my CD player."
In 1995 the duo changed their name to Spod, as an acronym for either Special Projects Organisational Division, Spinning Pizzas of Death, or Scorpion Powers of Destruction. Their recorded output was limited to home-made cassette tapes. In 1999 Andy Clockwise joined on drums and guitar and Rickards left. Griffin related how "I played some two piece shows with Andy, but put it on a back burner till I decided to keep writing songs by myself at Andy's insistence. This is what drove me to move into the solo version of SPOD. Mike and Andy were my biggest influences in making me want to create music the way I do."
On 5 October 2002 Spod headlined a concert at Thurles Castle in Chippendale. The drunk and the legless, a four-piece guitar-based rock group from Newtown, supported them. In September 2003 the group released their first album, Taste the Radness, via Architecture Label/Spod Music and distributed by Shock Records. Griffin explained the concept of Radness, "It's the beatz, it's the melodies, it's eternity, it's the diamonds that pour from rainbow drenched cloudz that house armies of unicornz that sing songz of luv and triumph, woe and hizeartbreak, p and tha izarty."
Jody Macgregor of AllMusic observed that its "mixture of electroclash, rock, and juvenilia found an audience, helped by energetic and anarchic live shows featuring the rest of the enigmatically named band." Taste the Radness included input from Spod's backup vocalists, dancers and choreographers, Krylon and A-Blade (collectively, the Scorpionz of Sex), specifically on the track, "2131 Ride Wit Me". This song was included on a 2004 edition of Australian Rolling Stones cover CD New Sounds.
Following its release, Spod toured extensively, including a position on the Sydney leg of Big Day Out in 2004. As the year progressed, Spod began to augment his live line-up with members of the metal band, Black Level Embassy. This live set-up led to the release of an extended play, Eternal Championz, in September 2004. The EP included metal re-workings of their tracks, "Country of Sweden", "Secks Party 4 Eva" and "Makin' Party". "Nerdz" was played extensively on local radio stations, such as FBi Radio. The EP was recorded in the home of Regurgitator's Quan Yeomans. Spod and Regurgitator collaborated on joint gigs in 2004 (advertised as "ReSPODutator") and they were recorded as part of Regurgitator's project, Band in the Bubble, during that year.
In March 2007 Spod played at the annual South by Southwest festival, in Austin, Texas, It was the group's first performance outside Australia. Also in that year Spod and Yeomans formed a side project, Blox, which issued a six-track EP, Quan and Spod Present Blox (8 October 2007). Back in Sydney, Griffin was relocating to a new home when his laptop and two hard drives were damaged, "shattering his work and his dreams." He had been working on material for Spod's second album, Superfrenz (September 2008).
Dom Alessio of Mess+Noise described how "[he] started picking through the musical remains, discarding some songs, canvassing old and newly-created ones, and set about re-recording his whole album all over again." Alessio felt, "[it] is ultimately a positive party album. From the playful 'Cats!' to the hip-hop drum machine onslaught of 'Time Maggots Eating the Flesh of Destiny'. Griffin’s aim is to make you forget about the darker side of life and simply have fun."