"You tell me you don't see much in life," Bielby had said. "Throw yourself into the life of others, who have not much to live on."
Maitland made a few practical experiments in philanthropy at Oxford. He once subsidized a number of glaziers out on strike, and thereon had his own windows broken by conservative undergraduates. He urged on the citizens the desirability of running a steam tramway for the people from the station to Cowley, through Worcester, John's, Baliol, and Wadham Gardens and Magdalene. His signature headed a petition in favor of having three "devils," or steam-whoopers, yelling in different quarters of the town between five and six o'clock every morning, that the artisans might be awakened in time for the labors of the day.
As Maitland's schemes made more noise than progress at Oxford, Bielby urged him to come out of his Alma Mater and practise benevolence in town. He had a great scheme for building over Hyde Park, and creating a Palace of Art in Poplar with the rents of the new streets. While pushing this ingenious idea in the columns of the _Daily Trumpet_, Maitland looked out for some humbler field of personal usefulness. The happy notion of taking a philanthropic public-house occurred to him, and was acted upon at the first opportunity. Maitland calculated that in his own bar-room he could acquire an intimate knowledge of humanity in its least sophisticated aspects. He would sell good beer, instead of drugged and adulterated stuff He would raise the tone of his customers, while he would insensibly gain some of their exuberant vitality. He would shake off the prig (which he knew to be a strong element in his nature), and would, at the same time, encourage temperance by providing good malt liquor.
The scheme seemed feasible, and the next thing to do was to acquire a tavern. Now, Maitland had been in the Oxford movement just when æstheticism was fading out, like a lovely sun-stricken lily, while philanthropy and political economy and Mr. Henry George were coming in, like roaring lions. Thus in Maitland there survived a little of the old leaven of the student of Renaissance, a touch of the amateur of "impressions" and of antiquated furniture. He was always struggling against this "side," as he called it, of his "culture," and in his hours of reaction he was all for steam tramways, "devils," and Kindergartens standing where they ought not. But there were moments when his old innocent craving for the picturesque got the upper hand; and in one of those moments Maitland had come across the chance of acquiring the lease of the _Hit or Miss_.