A sweet, placid, sorrow-worn face; eyes whose wrinkled lids spoke of age, but yet looked calmly, steadfastly into mine. Scanty hair, yet rippling over the brows and temples as though indicating that in years gone by the tresses had been full and luxuriant. Scanty hair, tinged with many a streak of gray, and carried back of the ears in a fashion suggestive of the days that long preceded the war,--the days when Jenny Lind entranced us all at Castle Garden (though I claim to have been but a boy then); when Mario and Grisi were teaching us Knickerbockers the beauties of Italian opera; when Count D'Orsay was the marvel of metropolitan society; when daguerreotypes were first introduced along Broadway. All these I thought of as I looked into this placid face, so refined in its every line; marking, too, that at the throat was clasped a portrait in plain gold frame, the inevitable indication that the wearer was of Southern birth, for none but our Southern women wear thus outwardly the portraits of those they love and have lost. The picture fascinated me; it was so sweet, so simple, so homelike; and, as I stood with it in my hands, I could plainly see the strong likeness between the features and those of my plucky young hero, whom I was half ready to be indignant with for ignoring me ten minutes before. His mother I knew it to be at a glance.
Just then came an orderly bearing a packet of letters. To my intense gratification--I don't know why--he saluted with his unoccupied hand as he said, "Letters for the lieutenant, sir." Was it possible that he thought I might be some staff-officer? He could not--that is, he would not, had he ever seen me straddle a horse--suppose me to be a cavalryman. Perhaps he had heard I was with the lieutenant the night he nabbed Hank Smith; perhaps he--why, perhaps they--the troop--had heard I had charged through the woods to his support. Well, I took with dignified calm the bundle of letters he handed me, and endeavored to look the suppositious character and place them carelessly on the table, when the superscription of the very first one attracted my attention. The writing was strangely familiar. There were four letters,--two "official," long and heavy; two personal, and evidently of feminine authorship. It was my business to lay them on the table. I did nothing of the kind. Holding the package in both hands, I sat stupidly staring at the topmost letter,--a tiny, dainty affair,--and striving to come back from dream-land. Where had I seen that superscription before? There stood the address, "Lieut. Frank Amory, --th U.S. Cavalry, Sandbrook Station, Memphis and Charleston R. R., Alabama," every letter as perfectly traced as though by the hand of an engraver; every i dotted, every t crossed, every capital having its due proportion, every letter wellnigh perfect. The superscription itself was a chirographic marvel. The writing was simply beautiful, and I had seen it before. It was familiar to me, or at least _had_ been well known. Pondering over it, I gazed, of course, at the postmark: a mere blur. Something or some place in New York was all I could make out before it suddenly occurred to me that the whole thing was none of my business anyhow. I set the packet down on the table and strove to shut it from my mind; but there that letter lay on top, staring me in the face; I could not keep my eyes from it. I turned, picked it up and placed it on the desk inside the tent; dropped a handkerchief that was lying there over it; and returned to my place under the fly. I wanted to keep it out of my sight.