II. (_a_) Ajax seizing Kassandra at the altar of Athena.

B.F. B.M. B 242, 379; Berlin 1698; Roscher, ii. p. 979.

History of Ancient Pottery. Volume 2 (of 2) — Part 102

R.F. B.M. E 336, E 470; Reinach, i. 221, 338 = Roscher, ii. pp. 985, 981; _Bourguignon Sale Cat._ 33.

History of Ancient Pottery. Volume 2 (of 2) — Part 102

B.M. B 241; _Röm. Mitth._ iii. (1888), pp. 108–9; Reinach, ii. 109; Berlin 3996. [Priam dead in all except second.]

History of Ancient Pottery. Volume 2 (of 2) — Part 102

(2) Priam usually seated on altar; Neoptolemos swings body or head of Astyanax.

B.M. B 205; Berlin 2175, 3988; Reinach, i. 221, ii. 109; _J.H.S._ xiv. pl. 9. [See also under I.]

(3) Andromache or Hecuba with body of Astyanax.

Millin-Reinach, ii. 37 (Lasimos in Louvre; also identified as Archemoros: see p. 118).

B.M. E 161, 263; Reinach, i. 437, 3 (Hieron), ii. 34; Helbig, 43 (= _Mus. Greg._ ii. 49, 2), and ii. p. 325 (= Baumeister, i. p. 746, fig. 798); Millingen, _Anc. Uned. Mon._ pl. 32; Louvre G 3 (Pamphaios); Reinach, i. 222 = _Wiener Vorl._ D. 8, 1; Noel des Vergers, _Étrurie_, iii. pl. 39.

B.M. B 244 (?), E 458; Overbeck, _Her. Bildw._ pl. 26, 13.

B.M. B 173, B 280; Reinach, ii. 110 (= Munich 903), 116, 273; Baumeister, i. p. 31, fig. 32; Helbig, 201 = _Mus. Greg._ ii. 85, 2; Naples 2481; Bibl. Nat. 261; Louvre F 122 = _Wiener Vorl._ 1890–91, pl. 5, 1.

Plate XXIII. = _J.H.S._ xviii. pl. 15 (B.M.); Overbeck, _Her. Bildw._ pl. 27, 19.

Reinach, i. 91 = Hill, _Illustrations of School Classics_, p. 170 (now in B.M.).

------------------------------------------------------

THE SACK OF TROY; KYLIX BY BRYGOS IN LOUVRE. ]

------------------------------------------------------

Among the various adventures described by the Cyclic poets in the Νοστοί, few seem to have found their way into the vase-paintings except the fate of Agamemnon, the interview of Menelaos with Proteus (told in the _Odyssey_), and, of course, the adventures of Odysseus.

The house of Atreus and its story will be dealt with later under the heading of the Oresteia: we turn now to the =Odyssey=, scenes from which are surprisingly few in Greek art, and appear to have attracted the painter less than the more stirring events of the _Iliad_. The following, however, have been identified:

Book III. 12 ff. Arrival of Telemachos at Nestor’s house in Pylos.

Berlin 3289 = Roscher, iii. 298 = Engelmann-Anderson, iii. 13.