Hollywood Party, also known under its working title of The Hollywood Revue of 1933 and Star Spangled Banquet, is a 1934 American pre-Code musical film starring Laurel and Hardy, The Three Stooges, Jimmy Durante, Lupe Vélez and Mickey Mouse (voiced by an uncredited Walt Disney). It was distributed by Metro-Goldwyn-Mayer. Each sequence featured a different star with a separate scriptwriter and director assigned.
Plot
Jungle movie star "Schnarzan" (Jimmy Durante), a character in parody of Tarzan, is advised by his manager that he needs new lions for his pictures, as his old ones are "worn out". At a wild Hollywood party with many varied guests, including a "lion provider", hilarity ensues. After it all gets out of hand, Schnarzan awakens to find he is just plain old Durante, who had a strange dream.
Cast
Live action cast
Stan Laurel as Stan
Oliver Hardy as Ollie
Jimmy Durante as Durante/Schnarzan
Jack Pearl as Baron Munchausen
Polly Moran as Henrietta Clemp
Charles Butterworth as Harvey Clemp
Eddie Quillan as Bob Benson
June Clyde as Linda Clemp
Lupe Vélez as The Jaguar Woman/Jane in Schnarzan Sequence
George Givot as Liondora, aka Grand Royal Duke
Richard Carle as Knapp
Uncredited cast
Ted Healy as Reporter
The Three Stooges as themselves
Jeanne Olsen as Mrs. Jimmy Durante [previously married to Durante]
Tom London as Paul Revere
Edwin Maxwell as Producer Buddy Goldfish
Arthur Treacher as Durante's Butler
Beatrice Hagen as Show Girl And Party Guest
Bess Flowers as Party Guest
Robert Young as Radio Announcer
Voice cast
Walt Disney as Mickey Mouse (uncredited)
Production background
During production the movie was known as The Hollywood Revue of 1933 and Star Spangled Banquet. It was originally intended as an all-star attraction, like the studio's successful The Hollywood Revue of 1929 produced by Harry Rapf. Rapf's 1933 revue would star Jean Harlow, Joan Crawford, Marie Dressler, and Lee Tracy, supported by studio comedians Jimmy Durante, Lupe Vélez, Charles Butterworth, and Jack Pearl. After a series of expensive rewrites and revisions, with numerous directors taking a hand in the filming, only the comedians remained, with Polly Moran, George Givot, and Ted Healy and his (Three) Stooges augmenting the cast. Laurel and Hardy were borrowed from producer Hal Roach to appear in the final section of the film. The revue format was abandoned, and the film became a farcical comedy with music.
It has been asserted that Allan Dwan, Edmund Goulding, Russell Mack, Charles Reisner, Roy Rowland and Sam Wood directed various scenes, with the overwhelming majority directed by Richard Boleslavsky. George Stevens directed the Laurel and Hardy sequence and Dave Gould directed the "Feelin' High" dance number with choreography by Georgie Hale. Seymour Felix and Eddie Prinz directed final reshoots. Around the Metro-Goldwyn-Mayer backlot, the choreographers of the dance sequences were competing with those staging the MGM movie Dancing Lady, vying to see who could create the most elaborate dance number.
The movie had many sequences cut or reshot after several references proved too esoteric for foreign audiences. A sequence that had featured Thelma Todd (impersonating Mae West), Lupe Vélez, Jimmy Durante, and Zasu Pitts playing bridge was deleted after it was lost on British viewers not yet familiar with the game. Additional episodes that featured actors Herman Bing, Johnny Weissmuller, Jackie Cooper, and Max Baer were cut from the movie. As a result, surviving prints run approximately 68 minutes, but the original run time was 75 minutes. Famed songwriters Rodgers and Hart contributed most of the music. Gus Kahn wrote "Moonlight Serenade" for the 1933 Busby Berkeley movie Footlight Parade. However, when that song was cut from the Warner Bros. picture, it was placed a year later in Hollywood Party and sung by Eddie Quillan.
Reception
Critical reception for Hollywood Party upon its original release was largely negative. Multiple exhibitors wrote in to the Motion Picture Herald to express their disgust with the movie, and one theater manager from Kentucky called it "One of the poorest excuses for a picture we have ever played". The New York Times wrote that it "may have been very funny while it was being made, but as it comes to the screen it is not a little disappointing".