She looked up into his eyes and thought him handsome and brave, and when his lips at last sought hers, she gave caress for caress with all the selflessness born of springtime, of youth, of a passionate yearning for happiness.

It all occurred when the world was very young indeed, and when knowledge and civilization had not yet penetrated to this far-off corner of romantic Normandy. In those days--oh, it was long before the house of Capet had ceased to reign in France--long before St. Louis had taught his subjects that spiritual power came from God alone--it was long before the noble lord Archbishop of Caen preached the First Crusade against the Turks--in those days then, there lived in what was then the hamlet of Villemor a man who was deeply versed in the sculptor's art. The tales of the country-side have it that he could fashion men and beasts out of stone with such marvellous skill, that none could distinguish God's own living work from that accomplished by this, one of His most humble creatures.

A Sheaf of Bluebells — Part 50

So clever, indeed, did he become in his art, that the priests and monks of the district became alarmed, fearing that this man's skill was instigated by the devil, and that unless something was done to exorcise Satan, that Spirit of Evil might take up his permanent abode in the hamlet of Villemor. One day the good Jean Front--such was the sculptor's name--carved from out a block of stone a group of pigeons; the birds were grouped around a fountain, and on the ground below could be seen the grains of maize wherewith an unseen hand had apparently been feeding them. So exquisite was this work, that those who were privileged to see it could almost have sworn that the birds moved along on their tiny feet, that they arched their graceful necks, pecked at the grains of maize and drank at the water of the fountain. Indeed, the pigeons appeared so alive, that many declared that they could hear them coo, and all vowed that they were ready to fly away.

A Sheaf of Bluebells — Part 50

Now the goodly Abbot of Villemor had no liking for such devilish arts; but he also was troubled by the sin of curiosity. Assembling the most learned monks of his order around him, he declared his intention of going forth into the hamlet, and of seeking out that mysterious artificer, whose fame was spreading beyond the confines of the fief. In state then, his gold-broidered mitre on his head, his staff in his hand, my lord Abbot sallied forth on a fine June morning to betake himself to the hamlet of Villemor. Behind him walked the Prior and other dignitaries of the Abbey, singing canticles and swinging censers, for, of a truth, the devils hate the smell of incense, which is the emblem of prayer when it rises straight up to God.

A Sheaf of Bluebells — Part 50