Between the young king and his Flemish Stadtholder was never any warmth of feeling. When Orange, pursuant to his resolution formed in the French king's presence, spurred the States to demand the removal of the Spanish soldiers from the Netherlands, with a pertinacity dogged and changeless till the king, in sheer desperation, acquiesced in the just demand, though with a chagrin of spirit toward the instrument of his defeat which became settled hatred, and never lifted from his heart for a moment in those long succeeding years, when the king, like a recluse in the Escurial, brooded over his defeat. His troops forced from Flemish territories, Philip himself departed from a region he had never loved and had scarcely tolerated, departed, not to return any more, save by proxy of fire and sword, and cruel soldiery, and more cruel generals--the pitiless Parmas and Alvas--and departing, he embraced the other noblemen with such cold warmth as was native to him, but upbraided Orange bitterly for the action of the States, and when Orange replied the action was not his, but the States-General, Philip, beside himself with rage, cried, "Not the States, but you! you! you!" Thus King Philip passed into Spain, and the Prince of Orange into the second era of his life.

Macaulay has written the life of William III with such warmth, glow, fullness, and art as to have rendered other biographies superfluous. The history of William III was the history of England during his reign. He was England at its best. William the Silent was the Netherlands at their best. Motley has written "The Rise of the Dutch Republic," and in so doing has written a glowing narrative of the origin of the Netherland Republic; and has besides, in the same breath, given a biography of William the Silent. What nobler eulogy could be pronounced than to say a man's life was his country's history during his lifetime? Motley's thrilling narrative is the worthiest life of William written. Read Motley, and the last greatest word shall have been told you regarding this hero of the sixteenth century. In Prescott's "Philip the Second" may be found an incomplete characterization of the prince, without the unfavorable attitude toward Philip or the laudatory view of William presented in Motley. These two American historians have approached their theme with such ampleness of scholastic research and elaborate access to and use of the correspondence of Margaret, Parma, Alva, Granvelle, Don John of Austria, William, and Philip, as practically to exhaust the sources of information on this tragic reign, at the same time shutting off much of possibility from the future historian. William has at last, in Motley, found a biographer for whom any illustrious character might be thankful. So elaborate and complete were these researches that Miss Putnam, in her "William the Silent," has scarcely developed a single new fact, and has in all cases conceded the thoroughness and sufficiency of Motley's investigations. The present writer's apology for attempting what has been done so incomparably well is, that he feels an essay of moderate length, which, because of its brevity, may find an audience, is a desideratum in English literature, this essay to point out the heroic proportions of William; enough so, if may be, to lend eagerness to those who read, so they may be decoyed into perusing Motley's noble histories. I would help a reader of this essay to see the theater and actors, and to that end lift this curtain.

A Hero and Some Other Folks — Part 42