The pickers are at their work. A score of them are close at hand, with their baskets already filled. Observe how they choose the dark red, and eschew the unripe green, or the black and overdone berry. The second overseer, whip in hand, is ever behind, to see that the pickers do not flag. He is a genuine white; but his complexion is so bronzed, that you would scarcely distinguish him from a mulatto, save for his lank hair and thin lips. He volunteers explanation. He points to the big fruit of the cacao, or cocoa plant, and shows which are the bread, the milk and the cotton trees. Learning that I am a foreigner and an Englishman, he offers some useful information respecting certain trees and plants which yield invaluable products, such as might be turned to good account by an enterprising European, but which are unnoticed and neglected by the wealthy independent native. At our request, he unsheathes his machete and cuts us a few odd-shaped twigs from a coffee bush, with which we may manufacture walking-sticks. He exhibits one of his own handiwork. It is engraved all over, polished and stained in imitation of a snake; and, as it rests in the green grass, it looks the very counterpart of such a reptile, with beady eyes and scaly back. On closer acquaintanceship, I find the second overseer to be a great connoisseur in canes.

It is our breakfast hour, and Doña Belen and the other ladies will not like to be kept waiting. So we return to the barbacué, where the powerful odour of roasting coffee is wafted towards us. The black cook is roasting a quantity of the drab seed, in a flat pipkin over a slow fire. She is careful to keep the seed in motion with a stick, lest it burn; and when it has attained the approved rich brown hue, she sprinkles a spoonful of sugar over it to bring out its flavour, and then leaves it to cool on the ground. Near her are a wooden pestle and mortar for reducing the crisp toasted seed to powder; and a small framework of wood in which rests a flannel bag for straining the rich brown decoction after it has been mixed and boiled.

The Pearl of the Antilles, or An Artist in Cuba — Part 119

Substantial breakfast over, some of us carry our hammocks and betake ourselves to the adjacent stream. Here, beneath the shade of lofty bamboos, within hearing of the musical mocking-bird, the wild pigeon and the humming-bird, in the midst of sweet-smelling odours, we lotus-eaters encamp, affixing each a hammock between a couple of trunks of trees. Here, we see nature under her brightest and sunniest aspect, and, divesting our imagination of oil and canvas landscape, arrive at the conclusion that trees and plants are very green indeed, and of an endless variety of shade; that stones do not glitter, save where water damps them; and that a Cuban sky is far bluer than the most expensive ultramarine on a painter's palette.

The Pearl of the Antilles, or An Artist in Cuba — Part 119