The god is a figure of slow growth. Beginning as a sort of headman, identified sometimes with an ancestor, sometimes with a beast, his character is shaped by all the influences that go to form the tribal life, and he thus embodies from generation to generation the tribe's ideals of virtue.

+637+. The list of classes of supernatural Powers given above must be regarded, as is there intimated, as a general one. One class appears sometimes to shade into another; in the theistic schemes of low tribes it is often difficult to define the conceptions of supernatural beings with precision.

Introduction to the History of Religions — Part 202

_Early mythical founders of culture._ Before proceeding to a consideration of true gods, a class of beings must be mentioned that appears to stand on the borderland between divine animals, spirits, and gods. There are various sorts of beings that appear sometimes in animal form, sometimes in human form, their function being the arranging of the affairs of the world, the origination of institutions, and sometimes a definite creation of various things. The title "founders" or "transformers" or "culture-heroes" has been given them. They arise, just as the true gods do, from the necessity of accounting for the beginnings of things,[1055] and, from a comparison of the ideas of various tribes, a certain growth in the conception may be recognized.

Introduction to the History of Religions — Part 202

+638+. In some cases the figure is that of a mere trickster, a mischievous being, the hero of countless stories, who acts from caprice or malice, though his actions may result in advantage to men. Such are many of the animal forms of the North American Indians: the coyote of the Thompson River Indians,[1056] the raven of North British Columbia,[1057] the mink and the blue jay of the North Pacific Coast.[1058] In other cases, as also to some extent in the Thompson River region, he appears in a more dignified form as a benevolent organizer.

Introduction to the History of Religions — Part 202

This growth of the trickster into the real culture-hero may be referred to a progress in thought and refinement.[1059] Among the Northern Maidu of California there is a sharp distinction between the two characters: the coyote is tricky and mischievous in the bad sense, with no desire to do anything profitable to men; the benevolent and useful work of the world is ascribed to a personage called "the creator," who is always dignified and regardful of the interests of man.[1060] This sort of distinction, intended to account for the presence of both good and evil elements of life, is found in inchoate form among other low peoples (as, for example, the Masai and the Australians[1061]), but reaches its full proportions only in the great civilized religions.