IMP. CÆS. D. NERVÆ FILIUS NERVA. TRAJANUS. GERM. PONT. MAXIMUS.
--that Time with profane hand would wipe out the memory of many of his glories and would undo all the work that he had done.
On we drifted, through huge landlocked lakes, out of which there seemed no issue until we chanced upon a miraculous corner where there was an outlet frowned upon by angry rocks; on to the "Caldron," as the Turks called the most imposing portion of the gorge; on through an amphitheatre where densely-wooded mountains on either side were reflected in smooth water; on beneath masses that appeared about to topple, and over shallows where it looked as if we must be grounded; on round a bluff which had hidden the sudden opening of the valley into a broad sweep, and which had hindered us from seeing Orsova the Fair nestling closely to her beloved mountains.
[Illustration: THE TROCADÉRO AND GROUNDS.]
It is customary to speak of things by comparison, and the question is constantly propounded here, as it will be to returned Americans: "How does the Exposition compare with the Centennial of 1876?" This is not to be answered by vague generalities nor by sweeping statements.
It must of course be true that a great nation could not fail to make interesting an object upon which it has lavished money and which has obtained the co-operation of the principal foreign nations. So much is true equally of Philadelphia and Paris, and the merits of each are such that comparisons may be instituted which shall be derogatory to neither.
The scale of each is immense, and the buildings of both well filled and overflowing into numerous annexes. Fairmount had the advantage of breadth of ground for all comers. The Champ de Mars is but little over one hundred acres in area, while the portion of Fairmount Park conceded to the Exposition was two hundred and sixty acres.
The Champ de Mars is simply crowded with buildings, and is hemmed in by houses except at the end where it abuts upon the Seine. The space between the river and the main building is the only breathing-ground on that side of the river, the only place large enough for a band to play in the open air with allowance for a moderate crowd of listeners; and even this portion has a far larger number of detached houses than elegance or convenience of view would dictate. It was otherwise in Philadelphia, where the ample room gave a sensation of freedom, and the wide lawns, and even rustic hollows, permitted rambles, picnic lunches and parties. Herein consists one of the most striking features of dissimilarity between the Philadelphia and Paris expositions. The former had plenty of room--the latter has insufficient. The former, with the exception of the Main and Machinery Buildings, with a few adjuncts, and the Art-Gallery, a little retired from the Main Building, had its structures dotted over a wide expanse bordering its lakes or along an encircling drive. For want of any other sufficient opportunity to display the architecture of the countries assembled, one of the interior façades of the Paris building has a series of characteristic house-fronts looking upon an allée of but fifty feet in width, which is dignified by the title of "The Street of Nations."