What is this spirit,--this spirit of laughter and of tears; this spirit that _goes_ and that _stays_; this spirit that slays without becoming cruel and that turns, as the needle turns toward the pole, back again toward hardness and danger, choosing to walk the trench of death rather than to linger in the paths of life; this spirit that is both old and young, and that flourishes in the thin soil of poverty as luxuriantly as it blooms in the fields of the rich?
It is the spirit that I found in the Gillespie home in Edinburgh. When the war came, there were two sons to add strength to the grace that two daughters brought to that fireside. Now the line runs out to the valley of the Somme, and ends there beneath the flowers of Flanders. Tom died in the rear-guard fighting from Mons to the Marne. Bey fell at the head of his men in a charge on the twenty-fifth of September, 1915. Tom's oars (he was captain of the Oxford eight) hang in the hall and his picture at the left of the mantel in the library. Bey, whose letters to his mother have been published as "Letters from Flanders," was the finest scholar turned out by Oxford in a generation. His picture hangs just across the mantel from that of his brother.
In that room we sat and discussed the mighty advance just then at its height; the possibility of its reaching the Channel ports, capturing Paris, overrunning France, separating the British and French armies. We discussed the _worst_! And then they said, they who had laid so rich an offering upon the altar of liberty:
"Back against the shores of this island the British fleet will stand and hold, hold while America brings up the reserves of civilization. _They shall not pass! They shall not pass!_"
What is this spirit? I found it everywhere. The very stones of France cried out with its voices; the shattered trees of the forest were the strings of a harp that sang with it; the eyes of the smallest child were filled with it; and aged men in the fields, and gray-haired women pushing carts through the streets of the cities, were monuments to it that cathedral-levelling shells could not destroy.
As a troop-train pulled out of a great station in Paris late one afternoon, I saw a sight that will always remain with me as one of the most appealing and suggestive pictures of this war. Perhaps five hundred people were standing on the platform, saying a last good-by to their loved ones and friends bound for the hungry front. With hands outreaching and faces in the sun they stood in a great tableau of farewell as we drew slowly away. And as I looked into the profound depths of those faces, I was swept by a torrent of emotion that left me a changed man. They, and millions of others they represent, are the fathers and mothers, the sisters, wives, sweethearts, brothers, and friends of unnumbered and never-to-return young men. All have felt the agony of this war's separations and loss, have poured out their treasure and their blood. We cannot speak for them, we who only now begin to enter into their suffering. But we can speak for ourselves; we can deliver our own souls.