The Stud is a 1978 British drama film directed by Quentin Masters and starring Joan Collins and Oliver Tobias. It is based on the 1969 novel of the same name by Collins' younger sister Jackie Collins.

Plot

Fontaine Khaled (Joan Collins) is the London wife of a wealthy Arab businessman. She spends his money on her nightclub, Hobo, and her rather hedonistic partying lifestyle. She hires a handsome manager, Tony (Oliver Tobias), to run her club, but it is understood that his job security is dependent on his satisfying her nymphomaniac demands. Tony loses interest in Fontaine, as she treats him like a plaything, and turns his attention to her young stepdaughter Alexandra Khaled (Emma Jacobs), who uses him to get back at Fontaine after she discovers a video tape of Fontaine and Tony having sex in the Khaleds' private elevator, cheating on her father. Fontaine then dumps Tony and is divorced by her husband for adultery.

The Stud (film)

Cast

Joan Collins as Fontaine Khaled

Oliver Tobias as Tony Blake

Sue Lloyd as Vanessa Grant

Walter Gotell as Benjamin Khaled

Mark Burns as Leonard Grant

Doug Fisher as Sammy

Emma Jacobs as Alex Khaled

Peter Lukas as Ian Thane

Natalie Ogle as Maddy

Constantin De Goguel as Lord Newton

Guy Ward as Peter

Sarah Lawson as Anne Khaled

Jeremy Child as Lawyer

Peter Dennis as Marc

Chris Jagger as Rock star

Peter Bourke as Gordon

Tania Rogers as Janine

Felicity Buirski as Deborah

Minah Bird as Molly

Sharon Fussey as Denise

Hilda Fenemore as Mrs Blake

Bernard Stone as Mr Blake

John Conteh as himself

Milo Sperber as Kamara (uncredited) Suzanne Danielle as Disco dancer (uncredited) Susie Silvey as Girl in shower (uncredited)

The Stud (film)

Additional footage involving disco dancing was added for the US release. This footage involved members of the UK dance troupe Legs & Co., appearing (uncredited) as discotheque patrons.

The Stud (film)

Production notes

Joan had asked her sister Jackie for the film rights for free and Jackie agreed whilst contributing to the screenplay.

Joan met producer Brent Walker at the Cannes Film festival in 1977. He became excited by the project as it was proposed as a British alternative to Saturday Night Fever.

Both Joan Collins' husband, Ron Kass, and Jackie Collins' husband, Oscar Lerhman, also acted as producers on the project.

Joan Collins said she was drunk during the orgy scene.

Soundtrack

A successful soundtrack album was released on Ronco Records to tie-in with the film. The album contained twenty tracks, including original material penned by Biddu specifically for the film, as well as a number of major British chart hits which were licensed for use in the film. The majority of the tracks were disco flavoured, although some non-disco tracks were also included. The album rose to number 2 on the UK albums chart, kept off the top spot by the Saturday Night Fever soundtrack album.

Soundtrack album track list:

Side One

1. The Biddu Orchestra – "The Stud" 2. Michael Zager Band – "Let's All Chant" 3. Samantha Sang – "Emotion" 4. The Real Thing – "Let's Go Disco" 5. Baccara – "Sorry, I'm a Lady" 6. Rod Stewart – "You Wear It Well" 7. Odyssey – "Native New Yorker" 8. K.C. and the Sunshine Band – "That's the Way (I Like It)" 9. Linda Lewis – "It's Good" 10.Space – "Deliverance"

Side Two

1. Leo Sayer – "Moonlighting" 2. Tina Charles – "Fire Down Below" 3. Manfred Mann's Earth Band – "Davy's On The Road Again" 4. 10cc – "I'm Not in Love" 5. Rose Royce – "Car Wash" 6. David Soul – "Silver Lady" 7. Goldie – "Making Up Again" 8. Patti Smith Group – "Because The Night" 9. Bill Fredericks – "Almost" 10.Heatwave – The Groove Line"

Release

Box office

Made for $600,000 (US), the film netted over $20,000,000 internationally. The film was one of the most popular movies of 1978 at the British box office.

Legacy

The film helped to revitalise Joan Collins' career and she credits The Stud and its sequel The Bitch (1979) with bringing her to the attention of Aaron Spelling and Esther Shapiro, the producers of Dynasty in 1981. However, Tobias later claimed that his part in the film led to typecasting and ruined his career.

References

Bibliography

Simon Sheridan Keeping the British End Up: Four Decades of Saucy Cinema, Titan Books (fourth edition, 2011)