Meanwhile the flutes played madly; a second dancer came out, a third, then a fourth,—and the fun was universal. The audience joined the negroes who were playing on the flutes, and thrummed on tin pans, intended for washing the gold-bearing earth, or kept time with pieces of ox-ribs held between the fingers of each hand, which gave out a sound like the clatter of castanets.

Suddenly the cry of “minstrels! minstrels!” was heard through the whole camp. The audience formed a circle around the dancing-place; into this stepped our negroes, Jim and Crow. Jim held a little drum covered with snake-skin, Crow the pieces of ox-rib mentioned already. For a time they stared at each other, rolling the whites of their eyes; then they began to sing a negro song, interrupted by stamping and violent springs of the body; at times the song was sad, at times wild. The prolonged “Dinah! ah! ah!” with which each verse ended, changed at length into a shout, and almost into a howling like that of beasts. As the dancers warmed up and grew excited, their movements became wilder, and at last they fell to butting each other with blows from which European skulls would have cracked like nutshells. Those black figures, shone upon by the bright gleam of the fire and springing in wild leaps, presented a spectacle truly fantastic. With their shouts and the sounds of the drum, pipes, and tin pans, and the click of the bones, were mingled shouts of the spectators: “Hurrah for Jim! Hurrah for Crow!” and then shots from revolvers.

Lillian Morris, and Other Stories — Part 12

When at last the black men were wearied and had fallen on the ground, they began to labor with their breasts and to pant. I commanded to give each a drink of brandy; this put them on their feet again. But at that moment the people began to call for a “speech.” In an instant the uproar and music ceased. I had to drop Lillian’s arm, climb to the seat of a wagon, and turn to those present. When I looked from my height on those forms illuminated by the fires, forms large, broad-shouldered, bearded, with knives at their girdles, and hats with torn crowns, it seemed to me that I was in some theatre, or had become a chieftain of robbers. They were honest brave hearts, however, though the rough life of more than one of these men was stormy perhaps and half wild; but here we formed, as it were, a little world torn away from the rest of society and confined to ourselves, destined to a common fate and threatened by common dangers. Here shoulder had to touch shoulder; each felt that he was brother to the next man; the roadless places and boundless deserts with which we were surrounded commanded those hardy miners to love one another. The sight of Lillian, the poor defenceless maiden, fearless among them and safe as if under her father’s roof, brought those thoughts to my head; hence I told everything, just as I felt it, and as befitted a soldier leader who was at the same time a brother of wanderers. Every little while they interrupted me with cries: “Hurrah for the Pole! Hurrah for the captain! Hurrah for Big Ralph!” and with clapping of hands; but what made me happiest of all was to see between the network of those sunburnt strong hands one pair of small palms, rosy with the gleam of the fire and flying like a pair of white doves. I felt then at once, What care I for the desert, the wild beasts, the Indians and the “outlaws”? and cried with mighty ardor, “I will conquer anything, I will kill anything that comes in my way, and lead the train even to the end of the earth,—and may God forget my right hand, if this is not true!” A still louder “Hurrah!” answered these words, and all began to sing with great enthusiasm the emigrants’ song: “I crossed the Mississippi, I will cross the Missouri.” Then Smith, the oldest among the emigrants, a miner from near Pittsburgh in Pennsylvania, spoke in answer. He thanked me in the name of the whole company, and lauded my skill in leading the caravan. After Smith, from nearly every wagon a man spoke. Some made very amusing remarks, for instance Henry Simpson, who cried out every little while: “Gentlemen! I’ll be hanged if I don’t tell the truth!” When the speakers had grown hoarse at last, the flutes sounded, the bones rattled, and the men began to dance a jig again.

Lillian Morris, and Other Stories — Part 12