Consequently, when in need, Hunt thought he had a right to assistance from such friends as had the wherewithal to give. He accepted obligations, as will be shown in the following chapters, much as a matter of course.[13] But even in his worst distresses, he never desired nor accepted promiscuous charity; and he did not always willingly accept aid even from his friends. He refused offers of help from Trelawney. He returned a bank bill sent him by his sister-in-law, £5 sent by De Wilde as part of the Compensation Fund, and $500 presented by James Russell Lowell. In 1832 Reynell forfeited £200 as security for Hunt. Twenty years later, on the payment of the first installment of the Shelley legacy, Hunt discharged the debt.[14] He rejected several offers to pay his fine at the time of his imprisonment.[15] Mary Shelley, who more than any one had cause to complain of Hunt's attitude in money matters, wrote in 1844 in announcing to him the forthcoming annuity from her son: "I know your real delicacy about money matters."[16]
In the _Correspondence_ there are mysterious allusions made by Hunt and by his son Thornton to a veiled influence on Hunt's life, to some one who acted as trustee for him and who, without his knowledge or consent, made indiscriminating appeals in his behalf. The discovery of refusals and repulses led him to write the following to William Story, through whom came Lowell's offer: "Nor do I think the man truly generous who cannot both give and receive. But, my dear Story, my heart has been deeply wounded, some time back, in consequence of being supposed to carry such opinions to a practical extreme.... It gave me a shock so great that, as long as I live, it will be impossible for me to forego the hope of outliving all similar chances, by conduct which none can misinterpret."[17]
Leigh Hunt's work which comes into the period of his association with Byron, Shelley and Keats falls into four divisions: his theatrical criticism, his political journals, his poetry and his miscellaneous essays. The first and the last, although important in themselves, do not enter into his relations with the three men in question and will not be considered here. His political activity is important in his relations with Byron and Shelley; his poetry in his relations with Keats and Shelley.