From these merits comes Freeman's chief defect,--prolixity. His earnest desire to be accurate made him not only say the same thing over and over again, but say it with an unnecessary and useless fullness of detail, and back up his statement with a profusion of notes, which in many cases amount to more than half the text. Indeed, were they printed in the same type as the text, the space they occupy would often exceed it. Thus, in the first volume of the 'Norman Conquest' there are 528 pages of text, with foot-notes occupying from a third to a half of almost every page, and an appendix of notes of 244 pages; in the second volume, the text and foot-notes amount to 512, and the appendix 179; in the third, the text covers 562 and the appendix 206 pages. These notes are always interesting and always instructive. But the end of a volume is not the place for an exhibition of the doubts and fears that have tormented the historian, for a statement of the reasons which have led him to one conclusion rather than another, nor for the denunciation or reputation of the opinions of his predecessors. When the building is finished, we do not want to see the lumber used as the scaffolding piled in the back yard. Mr. Freeman's histories would be all the better for a condensation of the text and an elimination of the long appendices.
With these exceptions, the workmanship is excellent. He entered so thoroughly into the past that it became to him more real and understandable than the present. He was not merely the contemporary but the companion of the men he had to deal with. He knew every spot of ground, every Roman ruin, every mediæval castle, that came in any way to be connected with his story, as well as he knew the topography of the country that stretched beneath his study window, or the arrangement of the house in which he lived.
In his histories, therefore, we are presented at every turn with life-like portraits of the illustrious dead, bearing all the marks of having been taken from life; with descriptions of castles and towers, minsters and abbeys, and of the scenes that have made them memorable; with comparisons of one ruler with another, always sane and just; and with graphic pictures of coronations, of battles, sieges, burnings, and all the havoc and pomp of war.