“The first thing I did, on arriving in Paris, was to find out Chopin, and I cannot describe what a pleasure it was to us both to meet again after an absence of five years. He has grown so strong and big that I scarcely knew him again. Chopin is the first pianist in Paris, and gives a great many lessons, but none under twenty francs. He has composed a great deal, and his works are very much sought after. I am living with him in the Rue Chaussée dʼAntin, No. 5. This street is indeed rather far from the School of Medicine and the hospitals; but I have good reasons for wishing to be with him; he is all in all to me. We spend the evening at the theatre or in visiting, and if we do neither of these we make ourselves comfortable at home.”

[Sidenote: ELSNER URGES HIM TO WRITE AN OPERA.]

Frederic Chopin, Vol II (of 2) — Part 26

Eisner followed from a distance the artistic development of his beloved pupil, with the warmest interest, and rejoiced over his success. He wrote to him as follows:—

Frederic Chopin, Vol II (of 2) — Part 26

Everything that I hear and read about my dear Frederic gives me pleasure, but pardon my candour when I say that I have not yet heard enough to satisfy me, whose pleasure it was, unworthy as I am, to be your teacher in harmony and counterpoint, and who will ever be one of your best friends and admirers. Before I leave _hac lacrimarum valle_ I should like to see a performance of your operas, not only for the sake of increasing your fame, but in the interests of musical art generally, especially if the subject were taken from the history of Poland. I am not saying too much. You know that I cannot flatter you, as I am acquainted not only with your genius but with your capacities, and I know that what the critic referred to in your Mazurkas will only become valuable and lasting in an opera.[20]

Frederic Chopin, Vol II (of 2) — Part 26

Urban says, “that a pianoforte composition stands in the same relation to a vocal, orchestral, or a composition for any other instrument, as an engraving does to an oil painting.” This is sound criticism, although some compositions (especially when you play them) may be regarded as coloured plates.

What a pity it is that we can no longer see and talk to each other; I have a great deal more that I could tell you. And I want also to thank you for the present, which is doubly valuable to me. I wish I were a bird that I might visit you in your Olympian abode, which the Parisians consider a swallowʼs nest.