Devilry, devil's work:--traces of such you might fancy were to be found in a certain manuscript volume taken from an old monastic library in France at the Revolution. It presented a strange example of a cold and very reasonable spirit disturbed suddenly, thrown off its balance, as by a violent beam, a blaze of new light, revealing, as it glanced here and there, a hundred truths unguessed at before, yet a curse, as it turned out, to its receiver, in dividing hopelessly against itself the well-ordered kingdom of his thought. Twelfth volume of a dry enough treatise on mathematics, applied, still with no relaxation of strict method, to astronomy and music, it should have concluded that work, and therewith the second period of the life of its author, by drawing tight together the threads of a long and intricate argument. In effect however, it began, or, in perturbed manner, and as [144] with throes of childbirth, seemed the preparation for, an argument of an entirely new and disparate species, such as would demand a new period of life also, if it might be, for its due expansion.
But with what confusion, what baffling inequalities! How afflicting to the mind's eye! It was a veritable "solar storm"--this illumination, which had burst at the last moment upon the strenuous, self-possessed, much-honoured monastic student, as he sat down peacefully to write the last formal chapters of his work ere he betook himself to its well-earned practical reward as superior, with lordship and mitre and ring, of the abbey whose music and calendar his mathematical knowledge had qualified him to reform. The very shape of Volume Twelve, pieced together of quite irregularly formed pages, was a solecism. It could never be bound. In truth, the man himself, and what passed with him in one particular space of time, had invaded a matter, which is nothing if not entirely abstract and impersonal. Indirectly the volume was the record of an episode, an interlude, an interpolated page of life. And whereas in the earlier volumes you found by way of illustration no more than the simplest indispensable diagrams, the scribe's hand had strayed here into mazy borders, long spaces of hieroglyph, and as it were veritable pictures of the theoretic elements of his subject. Soft wintry auroras seemed to play behind whole pages of crabbed textual writing, line and figure [145] bending, breathing, flaming, in, to lovely "arrangements" that were like music made visible; till writing and writer changed suddenly, "to one thing constant never," after the known manner of madmen in such work. Finally, the whole matter broke off with an unfinished word, as a later hand testified, adding the date of the author's death, "deliquio animi."