"Can you describe him? Did you encounter him close enough for recognition?"

"Yes, I think I would know him again. I can at least describe his appearance. He wore a checked suit, very natty, and was more than usually tall and fine-looking. But his chief peculiarity lay in his expression. I never saw on any face, no, not on the stage, at the climax of the most heart-rending tragedy, a greater accumulation of mortal passion struggling with the imperative necessity for restraint. The young girl whose blond head lay on his shoulder looked like a saint in the clutch of a demon. She had seen death, but he--But I prefer not to be the interpreter of that expressive countenance. It was lost to my view almost immediately, and probably calmed itself in the face of the throng he entered, or we would be hearing about him to-day. The girl seemed to be devoid of almost all feeling. I should not remember her."

The Circular Study — Part 30

"And was that all? Did you just look at that recumbent man and vanish? Didn't you encounter the butler? Haven't you some definite knowledge to impart in his regard which will settle his innocence or fix his guilt?"

The Circular Study — Part 30

"I know no more about him than you do, sir, except that he was not in the room by the time I reached it, and did not come into it during my presence there. Yet it was his cry that led me to the spot; or do you think it was that of the bird I afterward heard shouting and screaming in the cage over the dead man's head?"

The Circular Study — Part 30

"It might have been the bird," admitted Mr. Gryce. "Its call is very clear, and it seems strangely intelligent. What was it saying while you stood there?"

"Something about Eva. 'Lovely Eva, maddening Eva! I love Eva! Eva! Eva!'"

"No, it was Eva. I thought he might mean the girl I had just seen carried out. It was an unpleasant experience, hearing this bird shriek out these cries in the face of the man lying dead at my feet."

"Miss Butterworth, you didn't simply stand over that man. You knelt down and looked in his face."

"I acknowledge it, and caught my dress in the filagree of the cross. Naturally I would not stand stock still with a man drawing his last breath under my eye."

"And what else did you do? You went to the table----"

"Yes, I moved the inkstand, but very carefully, sir, very carefully."