“Yes, they were all there,” Bibbs said. “I don't know the name of what he played, but I shouldn't think it would matter much. The man that makes the music must leave it to you what it can mean to you, and the name he puts to it can't make much difference--except to himself and people very much like him, I suppose.”

“I suppose that's true, though I'd never thought of it like that.”

The Turmoil — Part 92

“I imagine music must make feelings and paint pictures in the minds of the people who hear it,” Bibbs went on, musingly, “according to their own natures as much as according to the music itself. The musician might compose something and play it, wanting you to think of the Holy Grail, and some people who heard it would think of a prayer-meeting, and some would think of how good they were themselves, and a boy might think of himself at the head of a solemn procession, carrying a banner and riding a white horse. And then, if there were some jubilant passages in the music, he'd think of a circus.”

The Turmoil — Part 92

They had reached her gate, and she set her hand upon it, but did not open it. Bibbs felt that this was almost the kindest of her kindnesses--not to be prompt in leaving him.

The Turmoil — Part 92

“After all,” she said, “you didn't tell me whether you liked it.”

“No, that's true, and I didn't need to ask. I knew. But you said you were trying to keep from telling me what it did mean.”

“I can't keep from telling it any longer,” he said. “The music meant to me--it meant the kindness of--of you.”

“You thought I was a sort of lonely tramp--and sick--”

“No,” she said, decidedly. “I thought perhaps you'd like to hear Dr. Kraft play. And you did.”

“It's curious; sometimes it seemed to me that it was you who were playing.”

Mary laughed. “I? I strum! Piano. A little Chopin--Grieg--Chaminade. You wouldn't listen!”

Bibbs drew a deep breath. “I'm frightened again,” he said, in an unsteady voice. “I'm afraid you'll think I'm pushing, but--” He paused, and the words sank to a murmur.

“Oh, if you want ME to play for you!” she said. “Yes, gladly. It will be merely absurd after what you heard this afternoon. I play like a hundred thousand other girls, and I like it. I'm glad when any one's willing to listen, and if you--” She stopped, checked by a sudden recollection, and laughed ruefully. “But my piano won't be here after to-night. I--I'm sending it away to-morrow. I'm afraid that if you'd like me to play to you you'd have to come this evening.”