The emperor sits in an orchard wide, Roland and Oliver by his side: With them many a gallant lance, Full fifteen thousand of gentle France. Upon a throne of beaten gold The lord of ample France behold: White his hair and beard were seen, Fair of body and proud of mien.
The story of Bayard is an admirable one for this period, as well as that of the Spanish hero, the Cid; and “St. George and the Dragon” is always a favorite.
I plead, too, that more of the narrator’s time be devoted to the telling of our own American epic of _Hiawatha_. The answer comes, “That is read in school.” To be sure it is, and one reason why it is read so badly and appreciated so little is that it was not given in story form first. The German child uses the Nibelungenlied as a classroom text, but before he studies the epic he knows its tales. Gunther, Hagen, Siegfried, and Dankwart are familiar characters to him, and consequently he enjoys the poem.
The same principle applies to _Hiawatha_. If boys and girls are acquainted with Hiawatha himself, if they know Nokomis and Chibiabos and Kwasind and Iagoo before they are given the poem to study, it means something to them that it cannot mean otherwise. Perhaps one reason why Longfellow’s masterpiece has been so little used by story-tellers is that the work of putting it into story form is a task with which the non-professional is unable to cope. Now, however, an excellent retold work is on the market—Winston’s _Story of Hiawatha_—which makes it possible for every narrator to have her children know the American epic as well as German young people know the Nibelungenlied.
In considering stories for the heroic period of childhood, let us not forget the biographical and historical narratives that fulfill every requirement of hero tales. Boys and girls love the epical stories because they are true in spirit, but they love also those that are true in fact. It is a mistake to think that biography is dull and uninteresting to them, because stories of the boyhood of great men, great rulers, great discoverers and path-finders, great lawgivers, painters, musicians, and writers, are hero tales of the highest type. Many of them have been told admirably for young people, and the narrator does no more valuable work than when he uses them freely. Sir Walter Raleigh, De Soto, Coronado, Frederick the Great, Napoleon, Garibaldi, Solyman the Magnificent, Robert the Bruce, Kosciusko, William Wallace, William Tell, and dozens of others are as fascinating as Beowulf or Hercules and have an influence even more powerful, because children know that these heroes have actually lived. Never mind what some authorities say about the man of Switzerland being a mythical personage. Let American young people know him as those of the Alpine land know him, as the defender of his ancient rights and native mountains, the embodiment of the spirit of Helvetia. They will be finer men and women because of it, and that, more than anything else, concerns the story-teller.