The well-known dramatist, Scribe, once wrote a libretto for Berlioz, but in consequence of some difficulty with the director of the Paris Grand Opéra he demanded the return of the work, and handed it over to Gounod, who subsequently wrote the music. Berlioz devotes some space to these proceedings in his Memoirs, and in the course of his remarks says:

"When I saw Scribe, on my return to Paris, he seemed slightly confused at having accepted my offer, and taken back my poem. 'But, as you know,' said he, 'Il faut que le prêtre vive de l'autêl.' Poor fellow! he could not, in fact, have waited; he has only some 200,000 or 300,000 per annum, a house in town, three country houses etc. Liszt made a capital pun when I repeated Scribe's speech to him. 'Yes,' said he, 'by his hotel'--comparing Scribe to an innkeeper."

Franz Liszt — Part 108

D'Ortigue, who is better known as a theorist than a composer and musical critic, was a great admirer of Liszt, as may be seen by the following extract from his writings:

Franz Liszt — Part 108

"Beethoven is for Liszt a god, before whom he bows his head. He considered him as a deliverer whose arrival in the musical realm has been illustrated through the liberty of poetical thought, and through the abolishing of old dominating habits. Oh, one must be present when he begins with one of those melodies, one of those posies which have long been called symphonies! One must see his eyes when he opens them as if receiving an inspiration from above, and when he fixes them gloomily on the ground. One must see him, hear him, and be silent.

Franz Liszt — Part 108

"We feel here only too well how weak is the expression of our imagination. He conquers everything but his nerves; his head, hands and whole body are in violent motion; in one word, you see a dreadfully nervous man agitatedly playing his piano!"

Baron Blaze de Bury, in a musical feuilleton contributed to the _Revue des Deux Mondes_, no doubt more in fun than ill feeling, wrote as follows on Liszt and his Hungarian sword:

"We must have dancers, songstresses, and pianists. We have enthusiasm and gold for their tour de force. We abandon Petrarch in the streets to bring Essler to the Capitol; we suffer Beethoven and Weber to die of hunger, to give a sword of honor to Mr. Liszt."