he might have added,—and it is a wonder that he did not,

Mr. Matthew Arnold made a famous essay on the same topic, and some readers recollect distinctly that his verdict, for England, would be in the affirmative, whereas it was no such matter. Now, no man can conceive of Hazlitt presenting both sides of a case so impartially as to be misunderstood, especially upon so vital a subject. He pastured, he was not trained; and therefore he would have you and your children’s children scoff at universities. Indeed, though the boy’s lack of discipline told on him all through life, his reader regrets nothing else which a university could have given him, except, perhaps, milder manners. Hazlitt was perfectly aware that he had too little general knowledge; but general knowledge he did not consider so good a tool for his self-set task in life as a persistent, passionate study of one or two subjects. Again, he is pleased to conjecture, with bluntness, that if he had learned more he would have thought less. (Perhaps he was the friend cited by Elia, who gave up reading to improve his originality! He was certainly useful to Elia in delicate and curious ways: a whole vein of rich eccentricity ready for that sweet philosopher’s working.) Hear him pronouncing upon himself at the very end: “I have, then, given proof of some talent and more honesty; if there is haste and want of method, there is no common-place, nor a line that licks the dust. If I do not appear to more advantage, I at least appear such as I am.” Divorce that remark and the truth of it from Hazlitt, and there is no Hazlitt left. He stood for individualism. He wrote from what was, in the highest degree for his purpose, a full mind, and with that blameless conscious superiority which a full mind must needs feel in this empty world. His whole intellectual stand is taken on the positive and concrete side of things. He has a fine barbaric cocksureness; he dwells not with althoughs and neverthelesses, like Mr. Symonds and Mr. Saintsbury. “I am not one of those,” he says, concerning Edmund Kean’s first appearance in London, “who, when they see the sun breaking from behind a cloud, stop to inquire whether it is the moon.” And he takes enormous interest in his own promulgation, because it is inevitably not only what he thinks, but what he has long thought. He delivers an opinion with the air proper to a host who is master of a vineyard, and can furnish name and date to every flagon he unseals.

A Little English Gallery — Part 74